A Quote by Tsugumi Ohba
If I become the most popular author in jump, please give me the right to end one manga I hate.
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Manga is virtual. Manga is sentiment. Manga is resistance. Manga is bizarre. Manga is pathos. Manga is destruction. Manga is arrogance. Manga is love. Manga is kitsch. Manga is sense of wonder. Manga is … there is no conclusion yet.
As a child, because manga was always around and I was reading it, I naturally thought, "Hey, I'd like to draw manga - I'd like to be a manga author!"
As a child, because manga was always around and I was reading it, I naturally thought, 'Hey, I'd like to draw manga - I'd like to be a manga author!'
Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.
Tokyo Heist is a fast-paced, exotic reading adventure, a story where The da Vinci Code meets the wildly popular manga genre! Author Diana Renn infuses protagonist Violet with plenty of chikara (power) and Renn's fresh, spot-on author's voice is irresistible. I couldn't put it down!
In Japan there is a lot of manga, but around manga there are video games, manga on cellphones, manga in card games... so people not only enjoy manga but also the products around it.
Oh God, God, please come to me, please illumine me, please act in me and through me. I don't know what's right and what's wrong. I can't tell anymore. I could be doing what I feel is right and perhaps I'm deceiving myself. Perhaps it's all my ego and my vanity. Please show me what's right or don't even show me. Please just do it, whether it brings me happiness or unhappiness, riches or poverty, sorrow or joy. Please act in and through me. I love only you.
Jump way back to one time, Evie and me did this fashion shoot in a junk yard, in a slaughterhouse, in a mortuary. We'd go anywhere to look good by comparison, and what I realize is mostly what I hate about Evie is the fact that she's so vain and stupid and needy. But what I hate most is how she's just like me. What I really hate is me so I hate pretty much everybody.
I already accepted that I can't jump no more. I'm not as fast as I used to be. I accepted that already. That's where you become more smart, make that first step or two before that quick player can get there. I gotta make this jump shot, so I'll give a pump fake because I know that he can jump higher than me.
My generation was a special generation. I was born in 1960 and in my childhood we were all big manga consumers that was the culture. We were brought up in manga. Manga evolved around what was being made to cater to kids. All children at that time read ridiculously thick manga books every week.
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
So many Hollywood adaptations of really popular manga series just don't get it right, and for me what was really important was that if I was gonna do 'Naruto,' I wanted to actually work with Kishimoto and get a script to a stage where he would look at it and be excited about realizing it.
Hobbes: Jump! Jump! Jump! I win! Calvin: You win? Aaugghh! You won last time! I hate it when you win! Aarrggh! Mff! Gnnk! I hate this game! I hate the whole world! Aghhh! What a stupid game! You must have cheated! You must have used some sneaky, underhanded mindmeld to make me lose! I hate you! I didn't want to play this idiotic game in the first place! I knew you'd cheat! I knew you'd win! Oh! Oh! Aarg! [Calvin runs in circles around Hobbes screaming "Aaaaaaaaaaaa", then falls over.] Hobbes: Look, it's just a game. Calvin: I know! You should see me when I lose in real life!
I've never seen a single demonstration in Pakistan, in the streets of Gaza, in the West Bank, in which the people have come out with signs saying, "Please give us better roads. Please give us new prenatal clinics. Please give us a new sewage system." I'm sure they'd like those things, but it's not what they demand in the demonstrations. In the demonstrations, they talk about justice, they talk about an end to Israeli occupation.
I hate the way you talk to me, and the way you cut your hair. I hate the way you drive my car. I hate it when you stare. I hate your big dumb combat boots, and the way you read my mind. I hate you so much it makes me sick; it even makes me rhyme. I hate it, I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh, even worse when you make me cry. I hate it when you're not around, and the fact that you didn't call. But mostly I hate the way I don't hate you. Not even close, not even a little bit, not even at all.
I think that nationality has no relation to that which gives rise to manga. Even among the Japanese, manga creators are making their creations everyday reflecting their own individuality, with none being the same. What is important isn't the differences between the creators but their love for manga.
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