A Quote by Chad VanGaalen
I don't really go into shock around celebrity.
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I don't go to celebrity parties a lot. I don't really enjoy them because I really like going for it in parties. And sometimes at celebrity parties, there is no dancing on tables because people... it can be a little judgmental at times. So I tend not to go unless it is Taylor Swift's birthday party; then it's amazing.
Social media reactions to celebrity death have taken on a predictable pattern: an outpouring of shock with expressions of grief, followed by a ghoulish need to know all the details, to see the scene of the death and the family in mourning. Then a post-mortem dissection of all the perceived flaws the celebrity had.
I just go about my life. I'm a mom, I drive an SUV, I go to the grocery store every day. I'm definitely not a celebrity. I always say that I'm a celebrity-adjacent.
Everything around me is surreal. I get picked up in cars and go to celebrity bashes, and I get sponsorship on clothes, and it's great, and I really enjoy it. But you should remember where it all started: the music. That's the key.
I use the [vulgar] words because apparently these words do not corrupt morally. I'm from the street in New York, hung around in a tough neighborhood. It was common to curse, you make your point. It's a very effective language. I try not to overdo it. It's never to shock. I know where it fits, it's never to shock. There's no shock value left in words.
You sit at a fashion show in another country and you watch all of these paparazzi swarm around a celebrity, only they're a local celebrity, maybe a soap opera star, so you don't have any idea who they are, you just know they're famous to a bunch of stunned Italians. It's weird, because when you can't identify who a celebrity is, they can just look like overslicked stand-ins. That might sound awful, but what I mean is, when you think about most actresses, even in Hollywood, they really aren't that fascinating or glamorous in their own right once you strip away the flashbulbs.
Sometimes the newly Marked go into shock. The good news is, if this happens to you, you are unlikely to notice, because you will be in shock.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
I wouldn't go out of my way to go to a big celebrity bash. You have to make an effort to dress up and I'm a bit lazy really.
What I've learned is that you really don't need to be a celebrity or have money or have the paparazzi following you around to be famous.
I don't really go to fancy parties, so I'm not really familiar with that kind of celebrity lifestyle. I don't dress up a lot. My girlfriend and I walk a lot and watch a lot of movies, and my friends and I go to the park or each others' houses.
People don't like it when you make fun of a celebrity. When you make fun of a celebrity, you'll hear from really loyal fans of that celebrity.
We never really tried to shock for shock's sake on 'Family Guy.' If something was horribly offensive and shocking we would put it in if it was also hysterically funny.
We never really tried to shock for shock's sake on 'Family Guy'. If something was horribly offensive and shocking, we would put it in if it was also hysterically funny.
To me, there are two types of celebrity: there's good celebrity - people that are attracted to the food and working and trying to create something great - and then there's bad celebrity - those who are working on being a celebrity.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
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