I tried to make the punchline as close to the setup as I could. And I thought that was the perfect thing. If I could make the setup and the punchline identical to each other, I would create a different kind of joke.
I definitely have friends who gave me a tag for a joke I already had. Like, 'Here's another line.' A tag is, 'Oooooh, it's an industry term.' It's like, there's the punchline, and a tag is like a secondary punchline.
Maybe the universe is a giant practical joke and we don't know the punchline.
I think as a blonde person with make-up on, you're automatically the punchline to the joke.
As though all the world were a bad joke and she was the only one around who knew the punchline.
Just because we wear hair extensions and make-up doesn't mean we're the punchline for every joke.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
On stage you look much larger than you are. You can have subtle changes of timing; how you place a punchline in a joke or movement or emotion according to an audience.
You can't just explain a joke. Either it isn't funny, or the person just totally missed the punchline.
Donald Trump was seen for quite a long time as a punchline, the jokes about the excesses and the failures of the 1980s. And he had become, you know, a human shingle and a punchline.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
I like silly things. I think that "silly-stupid" or "stupid-smart" might be my philosophy, which is to combine a veneer of intelligence with an undercurrent of crass stupidity. Sometimes that stupidity is in the form of the actual joke that's being told, or it could be in the way the joke is told. Like, repetition is really stupid, but it's really funny. Or it could be that the punchline itself is stupid.
Writing a first draft is like groping one's way into a dark room, or overhearing a faint conversation, or telling a joke whose punchline you've forgotten. As someone said, one writes mainly to rewrite, for rewriting and revising are how one's mind comes to inhabit the material fully.
There was a joke going around campus when I was at Washington State. It went, 'What's the difference between God and Ryan Leaf?' The punchline was, 'God doesn't think he's Ryan Leaf.'
I even get tired performing standup, which is normally a low-impact exercise in futility but looks hard the way I do it. That's why I take a lot of breaks, often stopping in the middle of a joke to catch my breath, or blame the crowd for not laughing before the punchline.