A Quote by Chuck Palahniuk
Hysteria is impossible without an audience. Panicking by yourself is the same as laughing alone in an empty room. You feel really silly.
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I only really understand myself, what I'm really thinking and feelings, when I've talked it over with my circle of female friends. When days go by without that connection, I feel like a radio playing in an empty room.
This is important! But you have to stay absolutely cool. I may be completely off-base, and panicking prematurely." "I don't think so. I think you're panicking post-maturely. In fact, if you were panicking any later it would be practically posthumously. I've been panicking for days.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.
In theater, it's just you and the audience. It's less of a popularity contest. It's just you and the audience, and they're laughing or they're not laughing, that's the only gauge you really have. But with TV and movies and everything, it's like "Well, did you get a meeting at so-and-so?" and "So-and-so's really hot right now," which is all the stuff I'm probably still not used to.
When you write, you're alone in a room. And when someone reads a book, they're alone in a room, too, usually. It's a really intimate exchange. And so people ask me where I get the boldness to talk about this or that, but I didn't feel like it required any sort of courage, because I was alone. Sometimes it feels weird for people to read it.
Every performer I talk to will, with different words, talk about the sanctity of a good standup show, how it can really feel spiritual. When everybody is laughing, fixed on the same thing, you feel like you transcend yourself.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.
Any time you can be with like-minded people, laughing or crying over the same joke or the same scene... For me it's therapeutic. You just feel a little less alone on the planet.
Any time you can be with like-minded people, laughing or crying over the same joke or the same scene... For me, it's therapeutic. You just feel a little less alone on the planet.
When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'ideal' performance. Things that felt great in previews can feel forced three months in; jokes that got big laughs in the rehearsal room may suddenly fall flat in front of a paying audience.
The feeling you get from playing to a good audience is hard to describe without sounding as though you are talking silly. But reaction is important. You might feel in yourself that you're doing it ok but it's when you get the live reaction that you know you're doing it right.
If you feel incomplete, you alone must fill yourself with love in all your empty shattered spaces
I can speak for every guy in this room here tonight. Guys, if you could blow yourselves, ladies, you'd be in this room alone right now. Watching an empty stage.
You have to respect your audience. Without them, you're essentially standing alone, singing to yourself.
If the audience is responding very well to comedians that are hacks, and I don't do well, I don't feel as bad, because I feel like their taste is different than mine. They're laughing at somebody I would never laugh at, so that makes it okay, because obviously our tastes are not in the same place. And comedy is subjective, so I feel like maybe the failure wasn't all mine. I don't think they ever would have really enjoyed me. So sometimes that's a little easier, but not much.
Intimacy comes from being yourself on the stage and making the audience feel, without trying, that you're sittin' down there with 'em, playing, and that can happen in a big hall, if you have a good audience that want to listen
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