A Quote by Chuck Thompson
No place is ever as bad as they tell you it's going to be.
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If you ever watch me at theatre rehearsals, you will know what a bad actress I am. I am bad... bad... bad... and then, by opening night, it all just falls into place.
You tell people that all the time, 'Jail's the worst place ever and you don't want to go there,' which is true but at the same time you see it's filled with a bunch of people like guy is drinking on a porch somewhere and he gets arrested for public intoxication. He's going to miss work. He's not a bad guy per se.
You can tell when a writer moves out of a place of struggle and into a place of comfort, and it's always a bad thing.
If you're a parent, I tell you how to get through Christmas. I think that if you've ever had a bad feeling about Christmas coming, I'll tell you how to deal with it. So, I think in a way it's like going to a sane psychiatrist that actually gives you some good advice, I hope!
The "paperless office" is a bad idea because paper is one of the most useful and valuable media ever invented. "On paper" is a good place for information you want to use; a bad place for information you want to store.
Too many companies these days can't tell the difference between good profits and bad.... By now you're probably wondering how in heaven's name profit, that holy grail of the business enterprise, can ever be bad. Short of outright fraud, isn't one dollar of earnings as good as another? Certainly, accountants can't tell the difference between good and bad profits. They all look the same on an income statement. While bad profits don't show up on the books, they are easy to recognize. They're profits earned at the expense of customer relationships.
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
I'm not going to lie: it's tough. There were a couple of games where you're down, and you're in a really dark place, and you don't know if you're ever going to come out of it. You realize, 'Hey, I'm having a bad day,' but you realize there are people out there having worse days.
Nobody was ever going to tell me that I didn't belong on a football field. And nobody was ever going to tell me that I couldn't be great.
You could perhaps better tell the story of a place by writing of a tiny village as a sort of prism into the bigger issues the culture was facing. It struck me as a better way to learn about a place, or at least a different way, than just going to interview the president. So I have often tried to tell the story of a place through people there. But I'm just amazed.
I think that pretty much every form of fiction (I’d include fantasy, obviously) can actually be a real escape from places where you feel bad, and from bad places. It can be a safe place you go, like going on holiday, and it can be somewhere that, while you’ve escaped, actually teaches you things you need to know when you go back, that gives you knowledge and armour and tools to change the bad place you were in. So no, they’re not escapist. They’re escape.
Some people are scared to tell the truth, but I'm going to tell you the Good, the bad, the ugly," it's like, "Let's go there. Let's talk about it."
If it ever seems to us that the world is a place where bad things only happen to good people, it is because we still believe that bad things happening to bad people is a good thing.
When I'm with my parents, that's the place I can unplug. That's the place I can shut down and not worry about work or what's going on. I go home and hang out with them. I sleep more there than any place else ever.
On moral grounds, I think that if you believe a certain outcome is a very possible outcome, you have an obligation to tell people that. With global warming, the probability of a bad outcome if we stay on our current emission trends is incredibly high. If you know a bad outcome is likely to happen, what right do you have not to communicate that? You go into a doctor's office, what are they going to do - not tell you the diagnosis?
No traveller ever sets out with so little idea of where he is going or how he is going to get there than an artist does. And no traveller ever gets to a more wonderful place.
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