A Quote by Charlie Plummer
I just want to learn as much as I can, and that comes from the people I surround myself with. So whether that is on a one-million-dollar movie, or 100-million-dollar movie, it doesn't really matter.
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If we got $100 million dollars to make a movie, I don't know if we should be making a $100 million dollar movie our first time out.
I don't want to make a 100 hundred million dollar movie I have no stake in.
You can have a million dollar, 20 million dollar budget or 60 million dollar budget, and if you don't have a good script, it doesn't mean a thing.
I really sense the Lord saying to me that: "There are churches, there are ministers and there are business people that this $8,500 seed is going to connect you to a million dollar plus decision. A million dollar plus opportunity."
We want to make a 100 million dollar movie that we have created, in the way James Cameron or Chris Nolan does. It's so inspiring when high-quality auteurs are writing and directing those movies. That's pretty cool.
I think that when you're doing an under-four-million-dollar movie, you just can't throw money at the problems.
I love HGTV. I love working on my house and have really been bit by the 'luxury remodeling' bug. 'Million Dollar Rooms,' 'Million Dollar Listing'... any show that can give me design inspiration, I soak it in and try my hand at it. Home Depot is my second home!
Do you know anything at all that nobody else knows or, for that matter, gives a damn about? If you do, then sit tight, because one of these days you're going to Hollywood as a technical supervisor on a million dollar movie.
I want people to be inspired to do what's in front of them. If you won't give a dime out of a dollar, don't talk to a billionaire about giving their money away because if you don't give a dime out of a dollar, I can promise you, you're not going to give a 100 million out of a billion. It's a lie.
Before I starred in 'Million Dollar Baby,' I wasn't really a boxer. I just worked hard to learn as much as I could before we were there on set.
Whether youre making a million dollar film or a $100 million film there is never enough money, theres never enough time.
After I won the Oscar for 'Pollock,' some newspaper printed, 'She should get a million-dollar bump.' My sisters would write me, 'You're gonna get this million-dollar bump!'
Whether you're making a million dollar film or a $100 million film there is never enough money, there's never enough time.
I wouldn't say I'm the "nice" judge, but I was certainly reminded a couple of times that this is for a million dollars. There's one thing to just do a good dance, but I had to ask myself, "Is that the million-dollar dance?" There are certain dances that people prefer, and I preferred the intelligent and smart choreography.
At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same.
Most people who've had a big hit movie like 'Paranormal Activity,' the next thing they say is, 'I want to make a $100 million movie.' I have no interest in making more expensive movies.
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