A Quote by Charley Pride
Johnny Duncan was one of the first opening acts I hired for my show, and he is the one who initiated me into astrology. I got hooked. It made a lot of sense to me.
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Later, when I was at Caesar's Palace, and [Joe and Gil Cates] were trying to get me to have opening acts for the show, they gave me a list of people, and Rosie O'Donnell was one of them. I said, "I don't really need any opening acts. I have funny stuff in the show, and I do a lot of comedy and stuff."
I remember, I was at the house with my oldest son and I got that call from Johnny Ace. You know that call. Johnny was the guy that hired me, fired me and hired me back, which was kind of cool. But I was just fired, everything stopped, my whole world stopped.
I always used to watch 'The Daily Show,' and there were all these comedic geniuses there. I didn't know if I was going to be hired full time or not. At the beginning, I was sort of hired as a part time, on and off guy. When I first got hired - it was August 2006 - and I was working on and off, and they'd call me whenever.
I had people who were around me, people that I put a lot of trust in that sort of messed me over. So after that I said, only I can look back over my life and say I was responsible for whom I hired. I was responsible for how I managed my money. So I decided I wanted to do it myself. I understood the business of football. And because I can understand the business of football, I decided it's the best decision for me to be an agent. It made the most sense and I think a lot of players are opening their eyes to it as well.
So many people have told me that 'Wicked' is their first musical ever and that they're hooked for life. I'm like, 'Wow, you really got it right when you picked this show to be your first one.'
We got hooked on grain-fed meat just as we got hooked on gas guzzling automobiles. Big cars made sense only when oil was cheap; grain-fed meat makes sense only because the true costs of producing it are not counted.
First of all, as a professional, you can run around saying "artists, schmartists" as much as you want. But I'm a professional, so if somebody hires me for something, I'm going to bring my best to it. They've hired me, I'm professional, I show up on time, I do my job. That's what we're doing. So in that sense, it's always both things.
I went to Catholic school, and there was this teacher, a Brother, who saw I could go either way, good or bad. He took an interest in me and got me to do a play. I got hooked on acting, and it gave me something constructive to do. I had a lot of energy.
Johnny Bench
befriended me my first year in the big leagues. He took me under his wing during my first All-Star Game and we've been friends ever since. He's one guy I've tried to emulate and I'll always compare myself to Johnny (Bench).
Week in, week out, you take a lot of losses and I think that's kind of got me stuck, got me hooked on enjoying the game a lot more. Still wanting to prevail and to succeed, to go for more and want more.
[With depression] you get a real sense of shame, because your friends go, 'Oh come on, show me the lump, show me the x-rays,' and of course you've got nothing to show.
Our planning system was dynamite when we first put it in. The thinking was fresh; the form mattered little. It was idea oriented. We then hired a head of planning, and he hired two vice presidents, and then he hired a planner; and the books got thicker, and the printing more sophisticated, and the covers got harder, and the drawings got better.
Diana Ross saw me on Merv Griffin and hired me to be her opening act.
Anyone who grew up in the psychedelic '60s probably experienced their share of hypnagogic fireworks. Just as sex got me hooked on anatomy, so drugs were probably what first got me interested in entoptic phenomena, phosphenes, and hypnagogic imagery.
If I were to do some outlandish role, I always made sure I'd be on Johnny Carson to show that I wasn't that person that I played. I'd be myself. And so people got to know me, I think, and I think they know that I'm honest and truthful and real.
Ready?" Tove asked without looking at me. He started walking before I answered. "Duncan, you don't need to come with us," I told him as I hurried after Tove. Duncan followed me the way he always did, but he slowed. "It's probably best if he does," Tove said, tucking his hair behind his ears. "Why?" I asked, but Duncan smiled, excited to be included. "We need someone to test on," Tove replied matter-of-factly, and Duncan's smile instantly faded.
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