A Quote by Charley Pride
A woman went so far as to hire private detectives to contact me to help bring her out of what she called a hypnotic trance.
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Ruth Montgomery had a book I was reading called Aliens Among Us. She was an automatic writer. She used to go into a trance, and she would just start typing information, and then she would come out of her trance and read it and go, "Wow," and that was just the way she wrote her books.
We did an episode where she goes out to get a job and she gets fired because she's not good. They hire a babysitter to help out and she finds out she hates the fact that the kids have more fun with the sitter than her.
Voodoo Girl Her skin is white cloth, and she's all sewn apart and she has many colored pins sticking out of her heart. She has many different zombies who are deeply in her trance. She even has a zombie who was originally from France. But she knows she has a curse on her, a curse she cannot win. For if someone gets too close to her, the pins stick farther in.
At 19, if a woman said no, no meant no. If she didn't say anything and she was open, and she was down, it was like how far can I go? If I touch her breast and she's down for me to touch her breast, cool. If I touch her lower, and she's down and she's not stopping me, cool. I'm going to kiss her or whatever. It was simply if a woman said no or pushed you away that was non-consent.
If a woman is saying something out loud, she is asking for help, and you have no business to character assassinating her. You have to reach out to her and help her and protect her, and I think we need to protect our women, and we need to protect our children.
I was at a point of asking God whether acting was what He really wanted me to do. Oprah Winfrey came to one of my workshops, and a couple of months later, she reached out to Uncle BeBe, who co-wrote 'Born For This.' Oprah told him she was interested in me for the role of Charity on 'Greenleaf' and asked him to help her contact me.
Nothing is more private than a woman's body; it is her physical, emotional, and moral citadel. She cannot be free at all if she is not free to decide for herself, in private, what to do with her body.
The extraordinary woman depends on the ordinary woman. It is only when we know what were the conditions of the average woman's life - the number of children, whether she had money of her own, if she had a room to herself, whether she had help bringing up her family, if she had servants, whether part of the housework was her task - it is only when we can measure the way of life and experience made possible to the ordinary woman that we can account for the success or failure of the extraordinary woman as a writer.
I auditioned for a movie recently, and when I went in, the producer said he'd told one of its stars, Naomi Watts, that he was auditioning me, and she'd said, 'She's so funny; she's a great actress - you should hire her.' What a lovely, kind, and supportive thing to do for another woman.
Man pays deference to woman instinctively, involuntarily, not because she is beautiful or truthful or wise or foolish or proper, but because she is a woman, and he cannot help it. If she descends, he will lower to her level; if she rises, he will rise to her height.
If she were here I wouldn't be able to keep my hands off her. I would hold her so close she'd beg me to let her breathe. I'd kiss her so hard she'd plead for mercy. I'd unfasten her clothing and lie with her onthat hard bed, and what was between us would be as far above the ordinary congress between man and woman as the stars are above their pale reflections in the lake below.
Maybe a young woman will go see a show by a woman, or starring a woman about women's issues, and that will help her get to that quiet place inside of herself where she can then explore what it means to be a woman to her.
Amanda [Bynes] and I are the same age so I grew up watching her and really looking up to her and for me, to see this path that's happening and to watch it, is kind of really affecting me in ways that I didn't think it would. It's weird to be in a situation where you can't help. I obviously don't know her at all but I want to bring her back and I want to make her happy and healthy for some reason and she's not there and we can't do anything to help so it kind of sucks. All we're doing is hurting it.
What's so lovely about Wonder Woman is yes, she has the strength and power of a goddess, but she has the heart and mind of a human. So I play her as I think a woman like me would act in the situations she's going through. You treat her as a normal woman who happens to be fantastic and almighty.
IU and I hosted a music program together, and she had told me that she would be writing a song for me. My fans call me 'Peach,' so when her new song came out, I called to ask her about it, and she confirmed that the song was for me.
She [Monica Vitti] was a great actress, but a very difficult person. I am not in contact with her at the moment because she is very sick. Not a generous woman, I have to say. I don't see her much.
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