A Quote by Charlie Hunter

And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit.
The trio is the biggest sound you can have with the smallest unit.
With Alkaline Trio, we are who we are. We never really feel too confined, but when we get together, there is an Alkaline Trio sound, and when I go off and do something on my own, there is an element of freedom that I don't have with the Trio.
The Edith Head Trio, I would say, would be even less of a musical career than playing the accordion, particularly because I played the accordion in The Edith Head Trio. I'm very impressed by your Googling. The Edith Head Trio and another band, Tzamboni, were two bands I was in after college that played at tiny clubs to little acclaim. Our Gypsy tango version of "When Doves Cry" was our biggest hit.But we were not destined for greatness.
The thing is, I was more blues-oriented, more of a purist than in the pop world. That led me into a folk rock trio and to Ginger Baker before I started recording on my own.
The more I learned about the use of pesticides, the more appalled I became. I realized that here was the material for a book. What I discovered was that everything which meant most to me as a naturalist was being threatened, and that nothing I could do would be more important.
People would be surprised if they knew how shitty my recording situation has been over the years. It took a lot of work to make the music sound ok. Having space where you can't be heard is more important than not being able to hear. If you can't be heard you feel more free when you work.
One of those things where immediately when you started reading it, you knew it was something special and then the more you read, the more it surprised you, and the more you realized it was devoid of stereotype .
The economic and social problems would tend to become, like the military situation, more and more difficult as time went on and we became more and more isolated.
People like the idea of the trio and so I did mostly trio.
We needed to do "Community Project" to feel comfortable doing our own thing, and then "That's It That's All" was this experiment with camera technology and shooting snowboarding a little differently. "Art of Flight" was that dream of "That's it That's All" realized. Then we didn't want to make an "Art of Flight 2," so we stepped back and tried to take a different approach to create a more multi-faceted film. "The Fourth Phase" has more of a storyline, and it was much more personal for me.
I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.
What I didn't realize about television was that's true of acting, as well. You have that space of time to develop who you are, and you can use more and more of yourself. The lines between that character that I'm playing and myself become more and more blurred and, after awhile, they just disappear, altogether.
I decided to live as an individual and as I grew older, and thought more, and read more and experienced more, my views became more conservative. But my group is liberal. Not only that, they say, 'If you're not liberal and not a Democrat, you're not black. If you're conservative, you're a sellout.' Here, then, I'm living with that kind of a pressure against my individuality.
We name one thing and then another. That’s how time enters poetry. Space, on the other hand, comes into being through the attention we pay to each word. The more intense our attention, the more space, and there’s a lot of space inside words.
No more painters, no more scribblers, no more musicians, no more sculptors, no more religions, no more royalists, no more radicals, no more imperialists, no more anarchists, no more socialists, no more communists, no more proletariat, no more democrats, no more republicans, no more bourgeois, no more aristocrats, no more arms, no more police, no more nations, an end at last to all this stupidity, nothing left, nothing at all, nothing, nothing.
The more I got to knew about Paganism the more Pagan I became, so to say, but I didn't really know enough until after the creation of Burzum.
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