A Quote by Charles Bronson

When I was a kid, I was always drawing things. I'd get butcher paper or grocery bags and draw on them. — © Charles Bronson
When I was a kid, I was always drawing things. I'd get butcher paper or grocery bags and draw on them.
All I liked to do when I was a kid was draw. My childhood was like my adult life: drawing pictures with my brother, putting the comics up on the glass window, and tracing the characters onto tracing paper or drawing paper and then coloring them. That and making things was all we ever did.
I always start drawing any job by planning out to some degree the locales and trying to nail the characters. If they're existing characters, I'll draw them several times on rough paper just to get a feeling for them. The ideal when you're drawing a comic is to have everything in your head, not to have to refer to notes.
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
You will always see big, chunky bags around me. I have always been fond of bags. Bags are extremely essential because I keep my books in them.
Arguably, it might prompt consumers to think about their consumption, with paper straws and reusable grocery bags and shared urban bicycles acting as a gateway to more meaningful changes.
I did a lot of jobs when I was a kid - paper boy, grocery boy, all those things. I guess maybe I got a point of view then.
I have friends and illustrators who can't stand drawing on the Cintiq. [A graphic pad tablet used by digital animators] There's a certain tension and friction when you draw on paper that they miss. The tablet is very slick. It's like drawing on glass. But that didn't bother me at all.
I was always the new kid in school, I'm the kid from a broken family, I'm the kid who had no dad showing up at the father-son stuff, I'm the kid that was using food stamps at the grocery store.
Banning plastic bags so that people use paper bags or imported reusable bags that will end up in local landfills soon thereafter is not the only solution to our plastic bag challenge.
Sometimes I will draw people and they will move away too quickly for me to finish what I wanted, and it is not enough for me to consider it a drawing of them. I hope I have gotten better at capturing things quicker in a drawing.
Painting dissolves the forms at its command, or tends to; it melts them into color. Drawing, on the other hand, goes about resolving forms, giving edge and essence to things. To see shapes clearly, one outlines them--whether on paper or in the mind. Therefore, Michelangelo, a profoundly cultivated man, called drawing the basis of all knowledge whatsoever.
I have always liked drawing, when you draw you see things more intensely.
When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything.
I draw things on the paper very freely but believing there is meaning to them already. There is already meaning in the colors, I don't need to be guided by words. I draw them and the meaning comes after. Every time we would start a new sequence we would change everything.
As for environmentalism, I'm only an environmentalist by accident. I live in New York, so I bike, and the closest grocery store to me sells organic produce. I also shop with a book bag because I ride a bike, and it's hard to carry the paper or plastic bags.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
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