A Quote by Charles Bradley

Back in the day, I was afraid to speak out. When I get music behind me, it feels like I can soothe the hurt and put it in vocals and say it to the room the way I feel it. — © Charles Bradley
Back in the day, I was afraid to speak out. When I get music behind me, it feels like I can soothe the hurt and put it in vocals and say it to the room the way I feel it.
With most electronic music I hear now, the things I like will be the things that have soul. It has to have a feeling in it, where it feels warm, or feels epic. I like to play with that in my music as well, there will always be a piano chord or something underneath it to make you feel at home. I always try and make sure even with vocals and layering that you still feel like you know me, no matter whether you're into grime or hip hop.
Even though the press at times made me completely crazy as they followed me around the hall, and asked tough questions over and over again - now believe me, every politician feels this way - it is a necessary part of our life, and we must have a press that isn't cowed and won't be afraid of ratings if they get put to the back of the room at a press conference.
Before you speak, get very quiet, do the meditation, say, "Use me as a channel for what needs to get said to this community. This community needs to hear something very important that I'm the only person in the room who can say it. Please help open me so that I'm not frightened and speak through me. Let me be that channel so that I can help heal." You make yourself so humble that you really are like a flute and that music that comes out comes from el corazón. All the people you're connected to from that light that we call love.
People have their morals, but morals aren't concrete. People think because I'm a Muslim that I pray five times a day, but you're never going to see that on a day-to-day basis. People fluctuate. To me, that was the most specific way to put it, the best way to be like, "I listen to this music, but it's the most violent music on the planet." But I like it, and to make up for it, I don't say the cuss words. That's how I get away with it.
It's really hard for me to sometimes put myself out there, like 'Hey, how do you feel about making music together?' because maybe I'm afraid of rejection or I don't want to put anybody out. It's the Southerner in me, like, 'I don't mean to bother you but do you mind making a song?'
Like with all the Arabs, they use the 'suspect procedure' on me. I arrive four hours before the flight. They do a body search in a back room behind the curtain and then escort me onto the plane because they're afraid that on the way I might pick up a bomb from someone.
I think people have this "It can't hurt to ask" mentality, which is true on some level. I get comics like, "Hey, will you look at these videos of me on MySpace?" I was like, "Well, who's gonna benefit from that? What if I don't like you?" No, I'm gonna write to a stranger and say, "Hi. You like me, and I don't like you. And now I feel bad when I didn't need to feel bad, because you put me on the spot." Or like, "Can I open for you?" Well, I've never seen you work, so no. I certainly made awkward mistakes when I was starting out, and they're just trying to have a career.
I like to make music because I've been making music since I was 7. I can get across the things that I want to say in my music so that I don't have to say anything. I don't have to speak out about the things I believe; I can say them in my music.
In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
I'm not religious in any way but I am very spiritual. Music is holy to me. It's like my religion. It's sacred. It feels unearthly; it makes me feel a way that talking to somebody doesn't make me feel, it's something you can't even wrap your head around. It's not abstract, you can't even grasp it - that's what music is to me.
I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
I used to put the vocals on top and piece it together. Now I start with the vocals and the string parts I write; the drums are kind of an afterthought. And who knows, maybe that will get boring, but right now that's the most interesting way for me.
I usually like to hide my vocals behind the music. I don't like to hide them consciously, but I have a tendency to prefer the vocal at the same level as everything else and put lots of reverb on it.
Maybe . . . because for the first time . . . there was a chance I could keep him,” I say. “So now that you've got me, what are you going to do with me?” “Put you somewhere you can't get hurt.” And when he kisses me, people in the room actually sigh.
And if there's anyone out here tonight that doesn't feel beautiful enough, or doesn't feel worthy enought... You're wrong. Because you guys are all so incredible. And if you're dealing with any of the issues that I've dealt with, don't be afraid to speak up, because someone will be there for you. And if you think, you're alone, put on my music, because I'm going to be there for you
I've met so many amazing fans in the couple of weeks since the release of my second album, and everyone keeps telling me they feel so connected to the record. I think as an artist, all you really want out of your album is to feel like you're not alone.Because you wrote it for a reason. You wrote it because you're feeling some kind of emotion that you had to get out in the world. And if fans say, "that makes me feel like I'm not alone", then you get to say back to them, "Well, you telling me that makes me feel like I'm not alone either".
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