A Quote by Charles Bradley
I did a CD way back in 1989, but I never got it off the ground.
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Nothing is set up like a comedy bit. I did sitcoms for 10 years. Literally from 1989 to 1999. That's almost all I did. Whenever I got away from television I was like, "Phew, thank God that's over. I am never going back."
A lot of my friends loved Pearl Jam, so whenever I'd hang out with them, that was usually what CD - not album - back then, it was what CD, maybe even tape, but what CD was playing.
You got to have a lot of mass to be able to produce a lot of ground reaction force, to function off of the ground, to press off of the ground.
Did I have rough days? Days I didn't want to train? Days I thought my career would never get back off the ground and possibly be over? Absolutely.
When you wrote a song way back in the day, you were writing material to play live. And you would buy the CD at the shows if you like the show. You may not listen to the CD, you might just throw it in the back of your car and let it warp in the sun. The main thing was you saw the song at the show.
All I had was a CD with beats. I wrote to every beat on that CD, and when I got off punishment, I put out my first mixtape. I passed it out all around school. I started going to the studio. I started doing shows.
There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer. About five years ago, I got a turntable that hooks up to your computer, and I put the vinyl in there and I listened to it back-to-back with a CD, and it didn't even compare. But people don't have time to go track down vinyl, lower it in, all that. And they probably don't care. It's hard to make music knowing that it's not going to be received by the listener in the way that it should be.
I would go back in time and do differently it is that. I would go back and ask, 'Why?' But I never did. I got up, he got up, we went on about our day. We never discussed the situation [with Dre]. Just, never.
When I was younger I never drank. I never drank, I never did any weed or drugs or anything because I felt it would compromise my position. I was an orphan, and I had a feeling like if I ever hit the ground I may never get back up.
On dispersive ground, therefore, fight not. On facile ground, halt not. On contentious ground, attack not. On open ground, do not try to block the enemy's way. On the ground of intersecting highways, join hands with your allies. On serious ground, gather in plunder. In difficult ground, keep steadily on the march. On hemmed-in ground, resort to stratagem. On desperate ground, fight.
In 1989 I sort of got back into the music business and one of the reasons I got back in is [that] I put the first All Stars band together. It's actually progressed from that every other year, or every two years, I've put that together...more and more realizing that's what I do.
Way back in 1989, I got lucky with my first published story when it was selected for the Journey Prize anthology. Then I got lucky three more times. It is astounding to see how many writers published in the anthology have gone on to publish great story collections and novels. The anthology is a windfall for both writer and reader.
A guy came up to me in the park and asked if I wanted to buy his CD. I said sure. He got panicked and told me he didn't actually have a CD, and he started crying and then told me he never made it and he's really sorry and called me 'Ralph.' New York's a really weird place.
I've been on so many movies. Generally, I haven't gotten to be on the ground level. As of two years ago, in 'Dear John,' I got to really be on the ground floor. I wasn't a producer. I felt like I put the work in, and I did have a lot of sway on what got fixed, reshoots, so on and so forth. It felt really good.
I've loved Danielle Spencer since 1989 - that's never going to change - and that's one of those things where I stare at her and go, 'How did it fail?' I still can't work it out, because my feelings for her have never changed.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
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