A Quote by Charles Bukowski

He asked, "What makes a man a writer?" "Well," I said, "it's simple. You either get it down on paper, or jump off a bridge. — © Charles Bukowski
He asked, "What makes a man a writer?" "Well," I said, "it's simple. You either get it down on paper, or jump off a bridge.
He asked, "what makes a man a writer?" "well," I said, "it's simple, it's either you get it down on paper or you jump off a bridge. writers are desperate people and when they stop being desperate they stop being writers." "are you desperate?" "I don't know.
I came to San Antonio, and it's known for the River Walk. So I was just doing some sightseeing, I looked at the bridge and I thought, 'Man, if I do a flip off this bridge, that would be super-cool.' I don't recommend anybody jump off that bridge.
The wicked will run to the iron bridge, but it will collapse under their weight. The righteous will cross the paper bridge, and it will support them all. Paper is the only eternal bridge. Your purpose as a writer is to achieve one task, and one task only: to build a paper bridge to the world to come.
If Triple H asked you to jump off a bridge, would you? Because I think that's good for business.
Die-hard conservatives thought that if I couldn't get everything I asked for, I should jump off the cliff with the flag flying-go down in flames. No, if I can get 70 or 80 percent of what it is I'm trying to get ... I'll take that and then continue to try to get the rest in the future.
I'm one of those people who when I go over a bridge, I want to jump. It's just this intense tickle in the back of my throat. It's like I'm on the verge the whole time I'm walking over that bridge, and I'm not going to get a release until I jump.
When something really hits me, it makes me want to either jump off something really high or lie down and be buried. I want people to get hit and caught by my music.
Sometimes, if you aren't sure about something, you just have to jump off the bridge and grow your wings on the way down.
The simple model of a bridge is great, and you could not build a bridge without understanding it well. But if you're actually building the bridge, you need to know the site. A lot of economics is like that: When prices go up, demand is gonna go down. You can't forget that and run your economy. But it's not the only thing you need to know.
Well?' Jasper said when Mairelon did not reply. 'Who are you?' 'No, no,' Mairelon said. 'I asked you first. I also, if you recall, asked how you found this place and what you intend to do here, and you haven't told me that, either.' 'We might ask you the same thing,' Jasper retorted. 'You might, but I don't recommend it,' Mairelon said. 'You'll get a reputation as a poor conversationalist if you all can do is repeat what other people say to you.
Why?" I said, taking the paper from him as Al smiled. "If it's not what I agreed to, I will burn Al's gonads off the first chance I get. Turn around. I need to use your back for a second." "Ah, hold on a tick," Al said, snapping his fingers again and catching the new paper drifting down. "How silly of me. This is the one. Here.
I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin.
Natural gas is a bridge fuel. But it's not a bridge - it's a gangplank. It's either a bridge in space or a bridge in time. The bridge in time we don't need. We have renewable technology right now.
Because the players knew that if Billy asked them to jump off a roof, he'd jump off with them.
We'll jump off that bridge when we come to it.
The writer's no different. When he's rejected, that paper is rejected, in a sense, a sizeable fragment of the writer is rejected as well. It's a piece of himself that's being turned down.
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