A Quote by Charles Dickens
She's the sort of woman now,' said Mould, . . . 'one would almost feel disposed to bury for nothing: and do it neatly, too!
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In the short summer night she learned so much. She would have thought a woman would have died of shame... She felt, now, she had come to the real bedrock of her nature, and was essentially shameless. She was her sensual self, naked an unashamed. She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how onself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.
I remember during my lifetime I would meet women, and it was almost like God would say to me, 'Now, this woman here is not the one you are going to end up with, but she is going to be a lot like this woman; look at this woman, study this woman.' And when my wife showed up, He was like, 'You recognize her now?'
He said he loved me,” she whispered. Daniel swallowed, and he had the strangest sensation, almost a premonition of what it must like to be a parent. Someday, God willing, he’d have a daughter, and that daughter would look like the woman standing in front of him, and if ever she looked at him with that bewildered expression, whispering, “He said he loved me . . .” Nothing short of murder would be an acceptable response.
I want you to say dreadfully mad, funny things and make up songs and be--' The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall hit you with my umbrella." *** "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. “There,” she said. “There is Will. Isn’t that better? Don’t you think so?” “I don’t know,” Will said, eyeing her. “I’m afraid to answer that. I’ve heard that when I speak, it makes American women wish to strike me with umbrellas.
I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it ['Into the Forest'] all started.
[They] should never have put me with that woman. ... She was just a sort of bigoted woman who said she used to be Labour.
What?" "You're so neat," she said, looking almost embarrassed. He glanced pointedly over his shoulder. "There are four hundred on the other side of this door." "But you're ruining me." "I can't do it neatly?
Baby, your nothing but too much trouble. Gotta bury this love and bury the shovel.
I once got a letter from a woman who told me she was 90. She said if she were 30 years younger, I would have had to watch out. I guess 60 seems really young when you're 90. She said she would eat me with a spoon.
What is it, Angel?" she said, starting up. "Have they come for me?" "Yes, dearest," he said. "They have come." "It is as it should be," she murmured. "Angel, I am almost glad—yes, glad! This happiness could not have lasted. It was too much. I have had enough; and now I shall not live for you to despise me!" She stood up, shook herself, and went forward, neither of the men having moved. "I am ready," she said quietly.
And there she was, alone and walking out in the cornfield while everyone else I cared for sat together in one room. She would always feel me and think of me. I could see that, but there was no longer anything I could do. Ruth had been a girl haunted and now she would be a woman haunted. First by accident and now by choice. All of it, the story of my life and death, was hers if she chose tot ell it, even to one person at a time.
No one ever said that you would live to see the repercussions of everything you do, or that you have guarantees, or that you are not obliged to wander in the dark, or that everything will be proved to you and neatly verified like something in science. Nothing is: at least nothing that is worthwhile.
The girl in the tight black dress was passing by us now, eyeing Wes and walking entirely too slowly. "Hi," she said, and he nodded at her but didn't reply. Knew it, I thought. Honestly," I said. What?" Come on. You have to admit, it's sort of ridiculous." What is?" Now that I had to define it, I found myself struggling for the right words. "You know," I said, then figured Kristy had really summed it up best. "The sa-woon." The what?
There are two kind of men,' said Ka, in a didatic voice. 'The first kind does not fall in love until he's seen how the girls eats a sandwich, how she combs her hair, what sort of nonsense she cares about, why she's angry at her father, and what sort of stories people tell about her. The second type of man -- and I am in this category -- can fall in love with a woman only if he knows next to nothing about her.
Miss Havisham is an important feminine literary figure in the tradition of Antigone (though it's significant that Antigone is fighting to bury something and Miss Havisham refuses, as it were, to bury the corpse). Like Hamlet, she's focused on what everyone would rather not know or would like to forget, and she seems crazy / stuck as well as bitter, but she's also a perfect prototype of a performance artist. She's intentionally hard to deal with inviting the audience to remain with the violated body, the evidence of violence.
Most of all she loved that when she hugged him her head would rest neatly just below his chin, where she could feel his breath lightly blowing her hair and tickling her head.
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