A Quote by Charles Dickens
After tea, we discussed a variety of topics before the fire; and Mrs. Micawber was good enough to sing us (in a small, thin, flat voice, which I remembered to have considered, when I first knew her, the very table-beer of acoustics) the favourite ballads of "The Dashing White Sergeant", and "Little Tafflin".
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Then Mrs. Tiggy-winkle made tea - a cup for herself and a cup for Lucie. They sat before the fire on a bench and looked sideways at one another. Mrs. Tiggy-winkle's hand, holding the tea-cup, was very very brown, and very very wrinkly with the soap-suds; and all through her gown and her cap, there were HAIRPINS sticking wrong end out; so that Lucie didn't like to sit too near her.
The test of a round character is whether it is capable of surprising in a convincing way. If it never surprises it is flat. Flat characters ... in their purest form ... are constructed round a single idea or quality; when there is more than one factor to them, we get the beginning of the curve toward the round. The really flat character can be experessed in one sentence such as, "I will never desert Mr Micawber." There is Mrs Micawber - she says she won't desert Mr Micawber; she doesn't, and there she is.
On the hob was a little brass kettle, hissing and boiling; spread upon the floor was a warm, thick rug; before the fire was a folding-chair, unfolded and with cushions on it; by the chair was a small folding-table, unfolded, covered with a white cloth, and upon it were spread small covered dishes, a cup and saucer, and a tea-pot; on the bed were new, warm coverings, a curious wadded silk robe, and some books. The little, cold, miserable room seemed changed into Fairyland. It was actually warm and glowing.
I try to always bring topics to the table that matter, topics that I think need to be discussed and reflected on.
There is only one thing about which I shall have no regrets when my life ends. I have savored to the full all the small, daily joys. The bright sunshine on the breakfast table; the smell of the air at dusk; the sound of the clock ticking; the light rains that start gently after midnight; the hour when the family come home; Sunday-evening tea before the fire! I have never missed one moment of beauty, not even taken it for granted. Spring, summer, autumn, or winter. I wish I had failed as little in other ways.
I knew I wanted to sing when I was a very small boy. When I was probably 4 years old. My mother played a guitar and I would sit with her and she would sing and I learned to sing along with her.
I'm very nearly drunk enough to be transcendent," Calla said after a space. She was not the only psychic drinking, but she was the closest one to transcendence. Persephone peered dubiously into the bottom of her own glass. In a very small voice (her voice was always small), she said sadly, "I am not drunk at all." Maura offered, "It's the Russian in you." "Estonian,"Persephone replied.
I knew that I could sing when I was young. I would listen to a lot of jazz; I'm a big jazz fan. When I first got to high school and studied musical theater, I could sing. But I added certain things to my voice, and I realized after graduating high school that this is the kind of voice I had. It's not very nimble, but it's heavy.
From the newsstands a dozen models smiled up at her from a dozen magazine covers, smiled in thin-faced, high-cheekboned agreement to Kessa's new discovery. They knew the secret too. They knew thin was good, thin was strong; thin was safe.
I first heard Laura Branigan sing live in my brother Nesuhi's apartment, where we had gone because he had a very good piano. I immediately realized that she had a great pop voice, in the classical sense. Laura had an instinctive feel for music and melody, and her delivery was sensational. Everybody at Atlantic knew that we had a winner in this young lady, and she came through with great hits that will be remembered for many years to come. I consider Laura to be one of my best signings, and I am proud to have had such a great singer in my career in the record business. We miss her dearly.
There's very little I can sing now. When I asked my first voice teacher, who was the best one, "When will I know when to stop singing?" he said, "Your voice will tell you." And it is very, very difficult to sing now.
A light was on in the kitchen. His mother sat at the kitchen table, as still as a statue. Her hands were clasped together, and she stared fixatedly at a small stain on the tablecloth. Gregor remembered seeing her that way so many nights after his dad had disappeared. He didn't know what to say. He didn't want to scare her or shock her or ever give her any more pain. So, he stepped into the light of the kitchen and said the one thing he knew she wanted to hear most in the world. "Hey, Mom. We're home.
When her body first hit the net, all I registered was a gray blur. I pulled her across it and her hand was small, but warm, and then she stood before me, short and thin and plain and in all ways unremarkable- except that she had jumped first. The stiff had jumped first. Even I didn't jump first. Her eyes were so stern, so insistent. Beautiful.
Light like thin grey soup seeped through the windows. The door opened and Mrs. Dark came in, followed by her sister, who had no head, only the white bone of her spine protruding from her raggedly severed neck.
She stood by the tea-table in a light-coloured muslin gown, which had a good deal of pink about it. She looked as if she was not attending to the conversation, but solely busy with the tea-cups, among which her round ivory hands moved with pretty, noiseless, daintiness.
I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
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