A Quote by Charles Lloyd

[Jazz] is a music of freedom and wonder. It's our indigenous art form, and I'm still blessed to travel around the world and people lay out the carpet for us, so it's quite touching.
The reason why the music [jazz] is important is because it's an art form-an ancient art form-that takes in the mythology of our people.
The only art form that Americans have created that's recognized around the world is jazz music born in a community that had the peculiar experience of being unfree in a free land.
We are all naturally seekers of wonders. We travel far to see the majesty of old ruins, the venerable forms of the hoary mountains, great waterfalls, and galleries of art. And yet the world's wonder is all around us; the wonder of setting suns, and evening stars, of the magic spring-time, the blossoming of the trees, the strange transformations of the moth...
I still go out, but not a lot. If I go to see music, it's usually to the Blue Note, jazz clubs, things like that. When I travel, I find out where the jazz clubs are.
I only hope that one day, America will recognize what the rest of the world already has known, that our indigenous music - gospel, blues, jazz and R&B - is the heart and soul of all popular music; and that we cannot afford to let this legacy slip into obscurity, I'm telling you.
The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.
Art should never be limited - the beauty of art is that it gives us the freedom to go places where we wouldn't go to in our normal lives. Inside, I'm just so many different people. I go from the pretty girl on the red carpet to the singer at Ozzfest, spitting in the crowd. That's Jada.
The thing we often forget to talk about, or perhaps we take for granted, is our country's dazzling beauty. Our natural environment is so much a part of Australia's art, writing, music and culture, both indigenous and non indigenous.
The thing we often forget to talk about, or perhaps we take for granted, is our country’s dazzling beauty. Our natural environment is so much a part of Australia’s art, writing, music and culture, both indigenous and non indigenous.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
Wonder is like grace, in that it's not a condition we grasp; it grasps us. Wonder is not an obligatory element in the search for truth. We can seek truth without wonder's assistance. But seek is all we'll do; there will be no finding. Unless wonder descends, unlocks us ... truth is unable to enter. Wonder may be the aura of truth, the halo of it. Or something even closer. Wonder may be the caress of truth, touching our very skin.
Jazz comes from our way of life, and because it's our national art form, it helps us to understand who we are.
In some ways, jazz is the most precise of art forms and the loosest in the sense that it's all about improvisation, but the musicianship required is kind of insane. To actually play with real jazz musicians is a different level of musicianship that almost has no equal in any other form of music in the world.
I worry more about the marketing that's taken hold since the 70s. The Jazz era, the Swing era, those were huge. Entire decades were named for music. In the 1940s - after World War II - changes in taxation, ballrooms closing, people moving to the suburbs, and the onset of target marketing and the confusion of commerce with art caused some things to happen as a result that have taken us away from jazz and what jazz offers us.
For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
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