A Quote by Charles M. Schwab
I didn't take up shorthand with any idea of becoming a professional at it. It merely appeared to me to be a good thing to know - something that might come in handy.
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I didn't know shorthand either. This meant I couldn't get a good job after college. My mother kept telling me nobody wanted a plain English major. But an English major who knew shorthand would be something else again. Everybody would want her. She would be in demand among all the up-and-coming young men and she would transcribe letter after thrilling letter. The trouble was, I hated the idea of serving men in any way. I wanted to dictate my own thrilling letters.
When I usually go to my studio to work, I start with something that is going to take two minutes just to put some idea down and the next thing I know, ten hours have gone by and my family is screaming at me because they want me to come up to have dinner with them.
I made up my mind long ago to follow one cardinal rule in all my writing-to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics-Well, they can do whatever they wish.
As a rule, with me an unfinished [idea] is a thing that might as well be rubbed out. It's better, if there's something good in it that I might make use of elsewhere, to leave it at the back of my mind than on paper in a drawer. If I leave it in a drawer it remains the same thing but if it's in the memory it becomes transformed into something else.
People have said to me for a long time, "Man you're funny." I say, "Well, I'm quick," but being funny on purpose, take after take - that's why I said for me it was new territory, and so by improvising something might come out that might be good. And it's film, so they can cut it if it isn't.
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
A fanatic commits to an ideal to whatever end. A fanatic throws everything aside to pursue their idea. Take something which it would be good to be committed to, like basic human rights. You might campaign for such a thing. You might spend every day of your life pursuing such a thing. But once you become fanatical about it, anything can happen.
If I can take something terrible and try and put a positive spin on it, or, or, you know, inspire somebody else that might be going through the same thing, that's a good thing.
The thing that makes writing so difficult is you don't have the element of serendipity. At least with a photograph, you can set up the camera, and something might happen. You might be a lousy photographer, but you can get a good picture if you just take enough of them.
There's no man alive who has any answers. We all know that. It's like the guru trip. All a guru can do is direct you to something that you probably already know about yourself, something you might want to followup on. Apply the same thing to music and records. You might get something from a particular record that hits a nerve and something inside you. But that's your vision of it.
They don't pay me enough to take any racial abuse. If you come up to me and say something racially, I'm going to take your head off.
But after all I find in my work an echo of what struck me. I see that nature has told me something, has spoken to me, and that I have put it down in shorthand. In my shorthand there may be words that cannot be deciphered. There may be mistakes or gap
You didn't have to take a punch for me, you know,' he said. 'I'm a lover, not a fighter.' 'You're a freak is what you are,' I said. He stuck out his hand. 'Come on, slugger. Walk with me. You know you want to.' And the thing was, despite everything I knew-that it was a mistake, that he was different from the others-I did. How he knew that, I had no idea. But I got up and did it anyway.
Becoming an artist does not merely mean learning something, acquiring professional techniques and methods. Indeed, as someone has said, in order to write well you have to forget the grammar.
Voting Liberal is a non-thing. Historically, it might be a good idea to have a Conservative government, because change is a good thing. But I don't know that I could bring myself to vote Tory.
I have no idea who the characters are, later, their personalities take over anything I might want to do. I end up writing not from my own will, but from theirs-they come alive as I write and make me do things that I couldn't have planned.
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