A Quote by Charles Melton

I was driving in a car on my way to football practice, and I was listening to the radio, and they had one of those, like, art showcases, like, 'Do you want to be a star? Do you want to meet talent agents, managers, producers?' And I called in, and I drove 45 minutes to Salina, Kansas, to a Marriott hotel, and did a Twizzlers commercial audition.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
I graduated high school in 1989, and there was no alternative rock radio, and there wasn't really good college radio you could get on a car stereo. Once you get a car at that age, you're spending all the time you can away from home, sometimes just driving around aimlessly. Listening, or not even listening, but subconsciously soaking up this classic rock barrage.
We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.
I remember the audition process for Xena: Warrior Princess; I was driving there and I was listening to The Cranberries' "Dreams," so I was thinking of that audition again recently with the sudden passing of Dolores O'Riordan, Cranberries singer. And I remember that song, I was like, "Okay, I can do anything" as I was driving onto the lot at Universal.
When you're walking down the street or in the car just listening to the radio, and you're, like , 'Oh, that's my song.' You want to say, 'Hey Mom!' That never changes.
When you're walking down the street or in the car just listening to the radio, and you're, like, 'Oh, that's my song.' You want to say, 'Hey Mom!' That never changes.
Honestly, the average American spends about 52 minutes a day in commute traffic. And as much as I love driving my car and many people like driving their car, commuting has never been fun for me.
Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen they don't seem like the guy who was in two others movies that year.
My first car was kind of sad. My first car was when my parents had completely worn out their Toyota Corolla that they had for 16 years or something. They gave me, for my 19th birthday, this really ancient Toyota. So that was my first car. And I loved it. I thought it was amazing, and I drove it cross-country. It was not aesthetically appealing in any way. It was it fast. It did not handle well, but it lasted forever. I drove cross-country and back, and then I gave it to my sister, and she drove it for another 10 years.
People are looking for something sort of new and exciting to be part of. It`s like test-driving a car. You don`t want to just go on the lot and drive the car you had before, you want to drive something new.
I submitted videos and applications to talent agencies and TV shows; I drove to Vegas and visited agents. I was on 'America's Got Talent'; I played for free at venues in attempts to be 'found' and yet all the experts in the entertainment industry told me that what I did was not marketable and that I had to join a group or do more traditional music.
Keith Moon, God rest his soul, once drove his car through the glass doors of a hotel, driving all the way up to the reception desk, got out and asked for the key to his room.
Producers generally don't like me; directors do, generally. Convincing the producers is hard. They can't see the commercial value behind such a face, nor would they get a commercial value, necessarily - and I don't mean that in a good way or a bad way.
I started walking rather than driving to get my coffee. I liked it so much, I do it for 45 minutes every day... You know those annoying people who are like, 'If I don't work out I feel... ugh'? I might be becoming one of those people.
Honestly, like, American football is not that big over in the U.K., so we hadn't really heard of Drew Brees before. I did know that he was, like, a massive football player. He's a massive star, so I was still a little bit anxious and nervous to meet him.
To me 30 isn't old. But it's definitely the beginning of no longer young. Because you notice little subtle things happen to you. You'll be in your car driving around listening to the radio and hear stuff like, That's was an oldie from The Clash.
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