A Quote by Charles S. Dutton
Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.
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I always think that's really lazy, when I'm watching a TV show or a movie or something, and there's a flashback and the idea is, 'This one moment is the reason that everything happened. This character saw this guy, and this guy said this thing to him, and that's why he is this way.' Because I think in real life, it's not so one-to-one.
As far as I'm concerned, this guy should never play football again. The answer you normally get after a tackle like that is 'he is not the type of guy who does that.' It's like a guy who kills one time in his life - it's enough. You have a dead person. This tackle is absolutely horrendous.
In a traditional Western there's always the bravado, and it's almost like they're winking that they know they're in a Western - "Look how good I can spin my gun." In real life, when the bad guy kills somebody, or they're bad guy friend gets killed, they're upset, too, which is not typical in Westerns.
A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a great character. This guy is a wonderful, funny, mean old guy.
Let's examine the dog mind: Every time you come home, he thinks it's amazing. He can't believe that you've accomplished this again. You walk in the door. The joy of it almost kills him. "He's back again! It's that guy! It's that guy!"
I love trying to play the not-confident guy, the guy against my normal character, because that's when real acting comes into play.
In life, it's not the genetic guy who wins or the guy with the most potential who wins; it's the person with the greatest perseverance who wins. Always be willing to get up and go at it again and again. That's the guy who has his hands raised later in life. That's the guy you guys need to be.
I have a new show now called 'The Bridge,' where I play a guy who's a real-life guy. My character's based on the life of a guy named Craig Bromell who was a cop for 12 years and then became head of the police association, so basically the president of the union for 85,000 cops.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
The character in 'Arya' was so close to my real life persona. The director saw me once and felt I was the right guy for the role because my body language was so flamboyant. In real life, too, I am very peppy and full of life.
We do need to be born again, since Jesus said that to a guy named Nicodemus. But if you tell me I have to be born again to enter the Kingdom of God, I can tell you that you have to sell everything you have and give it to the poor, because Jesus said that to one guy, too. But I guess that's why God invented highlighers, so we can highlight the parts we like and ignore the rest.
[Buckminster Fuller ] never got past his freshman year [in Harvard], because the guy was an insane womanizer and he did parties every night, never studied anything, never took a note, didn't care about anything and just had a blast. So they said, "We gotta let you go. You get zeros all the time." Today it wouldn't even matter, because they don't care if you can read.
Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art; I greatly fear, my dear Charles, it has killed you.
I didn't vote for [President Bush]. But I've never said anything bad about the guy because I have respect for the office.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
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