A Quote by Charles S. Dutton
And like everybody else, I like the Rocky movies, but if you look at them again you can see all the misses, but the intensity of it, but that wasn't what this is.
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In the States I might be an Asian face, look different from everyone else in TV and in music, but in Korea I look like everybody else, in Asia I look like everybody else.
I suppose I could understand it if men had simply forgotten unicorns, but not to see them at all, to look at them and see something else — what do they look to one another, then? What do trees look like to them, or houses, or real horses, or their own children?
Don't hate me because I can't remember some person immediately. Especially when they look like everybody else, and talk and dress and act like everybody else.
I think it is very important that you like yourself for who you are and not want to look like anyone else. You also have to understand, many people have had cosmetic surgeries in order to look the way they look. So why look like them when you can just look like you? And there is nothing wrong with looking like you.
If I'm paying money to come to see you, you shouldn't look like everybody else in the crowd.
I just look at it as a real group activity when you are making movies. There are so many different artists doing so many different things, and they are all interconnected. So I like to see what everybody else is going to bring to the table before I make up my mind too much about anything.
We are not white-skinned, we are not like them. We do not look like them. Why do we need to act in Hollywood movies? And I don't even think that Indian actors here want to do English movies.
You may look upon some providences once and again, and see little or nothing in them, but look "seven times," that is, meditate often upon them, and you will see their increasing glory, like that increasing cloud (1 Kings 18:44).
I was a very shy character, always feeling uncomfortable because everybody was stronger than I, and always afraid I would look like a sissy. Everybody else played baseball; everybody else did all kinds of athletic things.
Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
While children are struggling to be unique, the world around them is trying all means to make them look like everybody else.
I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
In Philadelphia, there's no delineation, they address me as Rocky, for real. They'll say things like: "Rocky, do you like this coat?" Or: "Rock, say hi to my sister." Or: "Yo Rock, I know a great restaurant." There's no Sylvester. Even the Mayor goes: "It's good to have Rocky here today."
Now I want to live like everybody else. I want to have a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody. People will not even turn round in the streets. You will be the happiest of women. And we will sing, all by ourselves, till we swoon away with delight. You are crying! You are afraid of me! And yet I am not really wicked. Love me and you shall see! All I wanted was to be loved for myself. If you loved me I should be as gentle as a lamb; and you could do anything with me that you pleased.
I would like to be called an inspiration to people, not a role model - because I make mistakes like everybody else. When I'm offstage, I'm just like everybody else.
Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.
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