A Quote by Charles Hazlewood
I think most people's record collections are more interesting than radio generally gives them credit for. You're likely to be as interested in the Grateful Dead as Palestrina. It pisses me off how compartmentalised music is. I used to be in a punk band, you know?
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Part of it is, I think, just to let people know you've got a record out there and that you're still alive requires more work than it used to, because the traditional radio, bug chains of record stores, all of that, that doesn't exist anymore.
I certainly didn't predict people who spent years actively disliking the band to all of a sudden like the band. That's pretty funny to me, and it makes playing live kind of interesting, 'cos we're doing lots of things that don't really have a lot to do with that record, and even presenting the songs off that record in a way that's a little more muscular and without as much of the sheen, which is what I think part of what people really liked [about Kaputt].
I don't think that TV on the Radio is some dark mysterious band that no one can know about. We write music because it's an immediate form of communication. We're able to put on record what's happening in our times, and we want that message to be heard by the most amount of people.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
I had this fantastic collection of Grateful Dead T-shirts and live concert music the band had give me over all these years, decades of material, and when our boys became teenagers they started going through everything and wearing the shirts and listening to the music and that's what the Grateful Dead is all about.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
I'm just grateful. I'm grateful for my family, my wife, and our health. I'm grateful to be in a band of brothers that I love so, so, so much. I'm grateful that this magical combination of dudes makes music that people like and moves them.
I'm more interested in - I was going to say putting on an interesting show, but then when I think about it, it's more like putting on several interesting shows. I think I'm more interested in doing funny things than calculating how I'll best be received.
I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
I couldn't afford to go to the record store to buy new tapes, so I'd tape everything off the radio. Just hit record when my song came on. I used to take my mom's tapes and tape over them. I had a nice little collection. Had my own Stephen Jackson mixtapes off the radio!
It's always interesting to me to see people projecting things, like people would say, "This record is much more mature than your other record" and I would think, "Well, this record has more songs from when I was 18 on it than the other one."
I think people, just because of digital recording and how computers have become such an important part of our lives, I think the means to record music now is in more people's hands. It's a lot cheaper than it used to be.
When I do a record, it sounds more punk and raw. Or it will sound louder, or it will sound more shocking. Or mind-boggling. I'll be trying to figure it out, but once I've got it figured out I'll be like, I know this; I know where this came from. I think art is most interesting when the intention is not clear.
I think it's stripped down as far as electronics go, but we just wanted to write a record that we felt better represented how we sound live with more of a rock feel, which is the direction we've been heading. It's just an evolution of the band throughout the years. We worked on this record longer than any other record, so I don't know if "stripped down" is how I would put it; I think it is a little bit more raw sounding.
I wouldn't call Super Furry Animals a political band, but we've all grown up in politically charged households, and we have a lot of political debates within the band. Obviously we don't think exactly alike, but we agree on a lot of points, and if something pisses us off, we're usually pretty open about it and very happy to share our views with other people. But I mean, we got together as a band because of our love of music.
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