A Quote by Chaske Spencer
I like working with different directors; it keeps you on your toes.
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I've had wonderful collaborators. They're very different, just as actors are. Working on a show with Nathan Lane is different from working on a show with Chita Rivera. It keeps you on your toes because it's different every time.
That was the good thing about having different directors [on series]. You had to stay on your toes.
My motivation is to be creative and have fun. You want to do something that keeps you on your toes the rest of your life and keeps you busy.
Your ideas dry up sometimes, and you get lazy sometimes 'cause you're around the same people. That was the good thing about having different directors. You had to stay on your toes.
All my life, I've been working with male directors, which I've really enjoyed. And I'm lucky in that I've worked with men who have a lot of respect for women. But working with a woman is a different experience. It feels like the communication is different.
I do have a sense of fear every day going to work, but I think it's something that I like. I mean I do like the feeling of waking up on my own, having this moment of like: "Oh, f**k, I hope I can do this today!" Because it makes you realise that you're working with material or you're working with a director or you're working with a cast and they're keeping you on your toes.
Be young. Keep yourself young by having a good, sporty car like a Corvette. It keeps you on your toes. It keeps you young. It keeps you thinking young. It keeps you thinking modern and good things. Corvette is a modern, modern automobile.
For me, something that's been always really important to me, that's also really served me well in hindsight, is doing different things, trying to cross different genres, and dipping my toes into comedy and drama and action here and there. Fortunately, as I've been working, the industry has also changed where you're able to dip your toes into different mediums, where it's not just independent film and studio film, but now you've got TV, and you're able to do all these different things. For me, it's just a matter of continually pushing myself and challenging myself.
Really, I'll go anywhere at any time to continue working in theater - it's a passion that I'm thankful I still have. It keeps me creative and on my toes and meeting great people. I can't imagine a better way of working than on a play.
But, working with directors whose history is in performance, I feel like there's a different kind of focus, as opposed to directors who are more prone to being really technically proficient or visual. I feel like there are two schools of both, and a director needs to have both.
The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
Who does this, at age 71, try to put a tour together from scratch? I have to say it's scary at times. But I like a challenge 'cause it keeps you on your toes.
The weight room prevents you from getting injuries, keeps your body durable and, working out even during the season, it helps a lot. It keeps your body loose, it keeps strengthening your body, especially the functional stuff.
I can snap my toes. Everyone keeps asking me this, but I know it's kind of weird, but I think it's fun that I can snap my toes.
Upon your feet you have ten toes, they look just like PO-TA-TOES!
What I'd like to do is try as many different ways of working as possible. That's what I'm looking to do - collaborate with as many different directors.
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