A Quote by Chath Piersath
I'm doing a collaborative project with another artist, Mary Hamill. My project is to gather the oral history of war widows, starting with the women of my village, Kop Nymit.
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I met Mary [Hamill] in New York at my exhibition and when I told her about my oral history project she asked, "Would it be possible to incorporate visual art?" My sister stitches pillowcases, which led to Mary suggesting using cyanotype on them. I originally thought of the idea of pillowcases because when people get married, they have the bride and the groom lay their hands on each other's pillows while their relatives tie ribbons on their wrists. And then on the bed you usually have two pillows - one for yourself and one for your loved one - so when one is gone, one pillow remains.
The Veteran's History Project, a nationwide volunteer effort to collect oral histories from America's war veterans, provides an avenue to do just that. Now in its fifth year, the Project has collected more than 40,000 individual stories.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
When Maryam Babangida and Mariam Abacha built the Women Centre and the National Hospital they did not carry the buildings when they left government. I will not go with the peace mission building. Women should resist being used to kick against the project. If the project was for men the budget for the project would have long been passed.
I'm no good at down-time. I panic slightly and then plan a project or set up a meeting about starting a project.
When the government undertakes or approves a major project such as a dam or highway project, it must make sure the project's impacts, environmental and otherwise, are considered. In many cases, NEPA gives the public its only opportunity to be heard about the project's impact on their community.
I float from one project to another project, so you miss people and you don't see them for years.
I don't really feel pressure. I'm so distracted by what we're doing; I'm doing this four-acre project, it's just absorbing all my attention. Before you know it we're onto the next project, and so on and so forth.
I like to have recognizable themes and sounds that really connect to the project and that you can identify with that particular project. My goal is always, 'When that theme comes on - even if you're not in the room - you hear it and say, 'Oh my show is starting, I gotta watch.'
I already have a pet project called Project Shakti and it aims on educating women on menstruation cycle.
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
I've been really lucky that I've kind of gotten to flow from project to project, because I find it's very important that when you're on a project, you are so invested in it.
I think it is important to be present in the places where you are working. It is not only about doing a project, but following the project through its construction.
The primary purpose of software estimation is not to predict a project's outcome; it is to determine whether a project's targets are realistic enough to allow the project to be controlled to meet them.
I work hard, whether it comes to writing for my own project or another artist.
I always look forward to the next project. That is one of the wonderful things about architecture - you always can hope for another project to design.
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