A Quote by Chevy Stevens

Each day when I'm walking with my dog through the damp forest, I'm thinking about the atmosphere, and it often works its way into my next scene somehow. — © Chevy Stevens
Each day when I'm walking with my dog through the damp forest, I'm thinking about the atmosphere, and it often works its way into my next scene somehow.
I did 'Echo Beach,' a surfing drama that meant I was often topless. Next came 'Demons,' and the opening sequence had me in my boxer shorts; and then there was a scene in 'Trinity' with me walking around in boxer shorts. It was only one scene in each series.
Micromessaging -- communicating with other human beings through visual, audible, sublingual means, no doubt predates our ability to speak. We actually read micromessages quite naturally without thinking about them. You might say human beings read each other's micromessages subconsciously, in the same way that one dog understands another dog is unfriendly simply because the dog's fur is standing on end. The dogs read each other perfectly. It's not all that different for people.
The rhythm of walking generates a kind of rhythm of thinking, and the passage through a landscape echoes or stimulates the passage through a series of thoughts. The creates an odd consonance between internal and external passage, one that suggests that the mind is also a landscape of sorts and that walking is one way to traverse it. A new thought often seems like a feature of the landscape that was there all along, as though thinking were traveling rather than making.
Thinking constantly about world domination can give you a little vertigo. The way I usually get through my day is by limiting my horizon to serving the next few customers or increasing revenues in the next few months.
When I read the 'Dick and Jane' stories, I thought they were afraid they might forget each other's names because they always said each other's names - a lot. So if Jane didn't see the dog, Dick would say, 'Look Jane, look. There is the dog next to Sally, Jane. The dog is also next to mother, Jane. The dog is next to father, Jane.'
Since the music industry cracked and fell apart, gasping for the cash flow it had come to expect, much re-thinking has been the order of the day. It is a fine time to be a musician. Like walking through Sodom and Gomorrah while it is still smoking, on your way to the next gig.
I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene. That was the thing about vaudeville: You didn't have to worry about the beginning and ends of these things.
I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene.
Every day, there's that tension and the pressure. Each scene that you shoot is like getting to that next step, but there's still that mountain to climb. So it's not like one day is harder or one scene is harder. They are all equally challenging.
We lived in this area that was basically two circular roads next to each other. There were forests and pastures and stuff. I remember walking around the forest quite a bit.
The eyes of a dog, the expression of a dog, the warmly wagging tail of a dog and the gloriously cold damp nose of a dog were in my opinion all God-given for one purpose only-to make complete fools of us human beings.
Vowing, even intense vowing, is often useless. The next day comes and the next day goes. What works is making a vivid, concrete plan.
If you're thinking about the idea in the shower. If you're thinking about the idea while you're walking your dog, there's probably something to it.
There will be scenes in a movie where people are walking through the park, or through a forest, and you're seeing the flickering leaves around them, and they're walking, but you're also hearing their words. It's an interaction between where they are and what they're saying that's both visual and verbal.
Hollywood is not known as a culture of grace. Dog-eat-dog is more like it. People love you one day and hate you the next. Personal value is very much attached to box office revenues and the unpredictable and often cruel winds of fashion.
A violent act pierces the atmosphere, leaving a hole through which the cold, damp draft of its memory blows forever.
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