A Quote by Chelsea Cain
Something about the way she moves through the world does not lend itself to the care of fragile objects.
Related Quotes
The attractions of ceramics lie partly in its contradictions. It is both difficult and easy, with an element beyond our control. It is both extremely fragile and durable. Like 'Sumi' ink painting, it does not lend itself to erasures and indecision.
If you put your hand into a fire, does anyone have to tell you to move it? Do you have to decide? No: When your hand starts to burn, it moves. You don’t have to direct it; the hand moves itself. In the same way, once you understand, through inquiry, that an untrue thought causes suffering, you move away from it.
She goes where she pleases. She appears unhoped for, uncalled for. She moves through doors and walls and windows. Her thoughts move through minds. She enters dreams. She vanishes and is still there. She knows the future and sees through flesh. She is not afraid of anything.
And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
Being sexy is not about what's on show, it's all about suggestion, or insinuation. I'm interested in the way a garment hangs on a woman's body and the way it moves when she moves.
When Nina Simone first sings the title of 'Feeling Good,' her voice has been alone for thirty-nine seconds. The solitary singer: there's always something fiat lux about it. Resolute, the individual moves through the void. You know the accompaniment is coming, but the voice, all by itself, makes you care about it: form turns into feeling.
All soul is immortal. For that which is always in movement is immortal; that which moves something else, and is moved by something else, in ceasing from movement ceases from living. So only that which moves itself, because it does not abandon itself, never stops moving. But it is also source and first principle of movement for the other things which move.
The part of me which wanders through my mind and never sees or feels actual objects, but which lives in and moves through my passions and my emotions, experiences this world as a horrible nightmare.
How can the mind take hold of such a country? Generations of invaders have tried, but they remain in exile. The important towns they build are only retreats, their quarrels the malaise of men who cannot find their way home. India knows of their trouble. She knows of the whole world's trouble, to its uttermost depth. She calls "Come" through her hundred mouths, through objects ridiculous and august. But come to what? She has never defined. She is not a promise, only an appeal.
Each culture might lend its own dialect, but above all that is the language of music itself, and it doesn't care about politics or boundaries.
So she had to satisfy herself with the idea of love - loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.
I have amazing respect for Tessa Blanchard; I've told many people that she is easily the best female wrestler in the world. She is so intense with everything she does, and her facials, and moves.
I like a woman who takes care of herself - it says something about the way she'll care for me.
Let’s take this figure of the feminist killjoy seriously. Does the feminist kill other people’s joy by pointing out moments of sexism? Or does she expose the bad feelings that get hidden, displaced, or negated under public signs of joy? Does bad feeling enter the room when somebody expresses anger about things, or could anger be the moment when the bad feelings that circulate through objects get brought to the surface in a certain way?
It's easy for me to care about Toronto, because Toronto is a community that cares about itself. It represents the world. It talks to itself, and because it does, it figures out that there must be a music garden as part of its existence.
[Betsy DeVos] does care about charter schools, which are public schools. She does care about choice, which is a perfectly legitimate thing to care about. It's because it's the one issue where the Democratic donor base was really energized, which was the teacher unions.
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