A Quote by Chandler Massey

Just because two guys are homosexual and happen to be the only two homosexuals on-screen doesn't mean they're going to be like, 'Oh yeah, let's get together!' It doesn't always happen like that.
Quarterback and cornerback are two of the hardest positions to play on the field, so yeah, you're going to get beat, you're going to throw interceptions, you're going to get sacked, you're going to miss throws. Stuff like that is going to happen. That's something you've been prepping for your whole life playing the position.
We're just not the type of artists that take anything for granted and just feel like, 'Oh yeah, you just know something great is going to happen.' We're not like that.
Just because I have two world records, everyone assumes that means automatically it is two guaranteed gold medals, but it isn't like that, and anything can happen in a race.
I don't like twists. I don't get much out of them. If you know two cars are about to run into each other, you don't walk away and say, 'Oh, I know what's going to happen.' You watch.
I don't fear what will happen, but you just get ahead of yourself, like, 'Oh my gosh, I wish it would happen now.'
I think that always myself is my worst opponent. I always playing against myself first and then to the other one. So I'm playing against two guys during the match...It's like mentally I don't know what is gonna happen in the next ten minutes. Maybe I get depressed in ten minutes. I don't know myself too much...Yeah, I was working with a psychology, and I still.
Sometimes two artists wanna work together, but it doesn't mean it's gonna happen, because you have to find the right idea.
That is what we have been feinting towards for a year of our lives: pretending like it was going to happen, acting like it was going to happen, and making you think it was going to happen. I like to work from the back forward.
Science fiction is really sociological studies of the future, things that the writer believes are going to happen by putting two and two together.
I think whenever you have a common goal with someone, you're going to bond. It's really hard to get two people together and be like, 'Hey guys, why don't you just bond!' But if you say, 'Listen, I need you guys to build this house, or I need you to do this or I need you to make this movie,' you'll get to work and you'll get close.
Lego was our fourth film, because we did two Cloudys, so yeah there's a little bit of shorthand that's involved and then you can anticipate things- because for me it's like, I get a script for a movie and I go, "Wow that's a pretty good script", then you sign on and a couple months later they show you the first cut and you're like, "Whoa, how did that happen?"
I was lucky, because Ewan McGregor had already been shooting with Roman Polanski for about a month before I got role. And he did a faultless impersonation of what it was going to be like. So when direction happened, it was like, "Oh yeah. That's what Ewan said was going to happen." And so it was a little bit less debilitating than it might have been.
Like any form of death, at some point you just have to get up and say yeah I'll take it, whatever's gonna happen is gonna happen and sorta chop your head off. It's easy to avoid all that...there's always another moment, another girl, another high, another drug, there's always something to distract you.
Now what kind of an attitude is that, 'These things happen?' They only happen because this whole country is just full of people who, when these things happen, they just say, 'These things happen,' and that's why they happen! We gotta have control of what happens to us.
In a movie like this, the relationship between the two guys is crucial. It sinks or swims on how these two guys are together. I think we did a good job.
It's short-track racing. You're going to get that and it's going to happen. I don't know why everybody thought it was the end of the world when wrecks were going to happen. Like I said, with close-quarter racing like that it's going to get heated.
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