A Quote by Chandler Parsons
I've really gotten into fashion, and ever since I got into the NBA, I feel like players are walking billboards.
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I am really irked by healthy NBA players resting. I really don't understand it. Players in the past have played all season for years. I just don't love it. I feel like it hurts the integrity and competitiveness of the game. It's got nothing to do with the TV partners; it's about cheating the fans.
I'm a really private person. I just love my work. I feel like celebrity has changed so much, in this culture. Ever since they started with those reality shows and people that aren't actors but they're really famous, it's gotten very different from when I started out. So, the idea of ever becoming more than what I had is not really what I want.
My dream was to be in the NBA. I wasn't really focused on being a star player on a team. I just wanted to make it to the NBA. I've been blessed for the opportunities to be in the Finals, been in the playoffs ever since I've been in the NBA.
The Energy job was probably the key. It kind of transitioned me back into the States. It gave me a link to the NBA. And I got to make some contacts and meet some players and get players set up and learn the NBA game and terminology and coaching those type of players. It was certainly a huge, huge key to getting to the NBA.
I feel like in the races I watched before I got to NASCAR, nobody ran like right next to the wall. And I feel like since I've gotten here, a lot more people do now. I don't know if it's the way the cars drive or the tracks age or what, but I feel like I've had a part in changing the style of NASCAR racing a little bit.
The street is the most impactful for me really, always, and the Internet. I guess I'd like to sell some more light pieces so I can rent some more billboards; that's my only ambition in life really. Then I'd like to save up some money so I can buy a very simple wooden house, and then after that I'd like to start buying billboards. I'd like to buy a bunch of billboards in different cities so we owned them and I could give them to Occupy to tell the truth with.
According to one critic, my works looked like scraped billboards. I went to look at the billboards and decided that more billboards should be scraped.
It was never so much the heavy metal thunder that got me. I was into players who played with taste and did these walking bass parts. If you can play like that, it really opens up the music. You can't just pound away. After a while it's like, 'So what? What else you got?'
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
There are a lot of things that make players really good coaches. Whether you've played in the NBA or not, there are certain things you have to master and be really good at. They just have to be gifted in these areas. You've got to be competent. Secondly, you've got to be able to communicate. You can have a picture in your mind on how to score but if you can't communicate it, if you can't teach it, what good is it? You've got to be brutally honest and be a man of strong character and then you've got to have class. They've got to respect you.
What's really neat about the Orthodox church is that it's like walking back in time 2,000 years to the time of the Apostles, when they created these services. You walk into that and it's really like... living it. They have maintained the truth ever since the beginning.
I wear things that aren't in fashion. I wear colors that aren't in fashion. And as a result of that, I kind of bring it back. I feel like nothing really ever goes out of style. It's just what the media and what people tell people to wear. I think having your own sense of fashion is important.
I feel like most ex-NBA players don't embrace the team they played for.
You can ask all the best players in the NBA - there's not one player in the NBA that guards them like me.
We are bored in the city, there is no longer any Temple of the Sun. Between the legs of the women walking by, the dadaists imagined a monkey wrench and the surrealists a crystal cup. That's lost. We know how to read every promise in faces-the latest stage of morphology. The poetry of the billboards lasted twenty years. We are bored in the city, we really have to strain to still discover mysteries on the sidewalk billboards, the latest state of humor and poetry.
I remember when I came into the NBA, eighteen years ago, there were maybe nine to twelve international players playing in the NBA. Today we've got more than 85, so that tells you how our game has grown at that level.
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