A Quote by Cherrelle

To be honest with you, I don't male-bash. I don't believe in male-bashing. I write about things that are natural, that happen in life. — © Cherrelle
To be honest with you, I don't male-bash. I don't believe in male-bashing. I write about things that are natural, that happen in life.
To be honest with you, I dont male-bash. I dont believe in male-bashing. I write about things that are natural, that happen in life.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
It's predominantly a male society, predominately a male culture, predominantly a male theatre, and predominantly male critics, but that's changing, definitely.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
We hide so well. This is the bottom line: how hidden is male subjectivity? Name five books where male subjectivity is produced in an honest way.
As a white male in America, I have privilege. As a white male who happens to be an artist with a fan base, I have a platform to spread awareness about that privilege. However, songs about race and privilege are very difficult to A) write and B) dissect as a listener. They're heavy.
A tendency for the male perspective to dominate responses to films, whether that's commissions or how a film is presented in the world. The market is used to a male voice and a male audience, which it feeds
The female experience is different from that of the male, and if, as a male writer, you cannot accept that basic premise, then you will never, ever, be able to write women well.
I feel like it's too easy to just say, "We'll just change the name of this male character to a female, but have her do all the same things that a male does." I don't believe in that. I think there's something else. I think there's more to women than that.
I have often been asked why I am so fond of playing male parts. As a matter of fact, it is not male parts, but male brains that I prefer.
Pornography reveals that male pleasure is inextricably tied to victimizing, hurting, exploiting; that sexual fun and sexual passion in the privacy of the male imagination are inseparable from the brutality of male history. The private world of sexual dominance that men demand as their right and their freedom is the mirror image of the public world of sadism and atrocity that men consistently and self-righteously deplore. It is in the male experience of pleasure that one finds the meaning of male history.
Sotomayor's vainglorious lecture bromide about herself as 'a wise Latina' trumping white men is a vulgar embarrassment - a vestige of the bad old days of male-bashing feminism.
Pakistani feature films are all about catering to the male ego and male fantasy.
The film industry is driven by male narrative. Heads of studios are often men, teeming with male executives everywhere you look, and so the narratives we have the screenwriters usually for male leads. Women tend to be second string: the girlfriend of, the secretary who becomes.
Yes. The original argument is defective. Substitute the word 'male' for 'gay,' and you'll see the flaw: 'Male people cannot be normal. If everyone were male starting tomorrow, the human race would die out, so being male cannot be nature's intended way.' Or you could substitute the word 'female.' In either case, the argument makes no sense: Being male or female is perfectly normal.
Whatever the gender of the participants, all pornography including male-male gay pornography is an imitation of the male-female, conqueror-victim paradigm, and almost all of it actually portrays or implies enslaved women and master.
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