A Quote by Chita Rivera

I'm bugged because I can't believe I can't speak every language there is. But I feel I can when I sit and am with somebody, and I can dance for them. Because dance is dialogue without language.
Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.
Dance is so important in the world. It needs no language. Our bodies speak a language of its own.
Everything changes when I dance... I am a taskmaster there. I am the creator. I am high on dance - my expression, body language... I am like a fire.
Dance is a universal language which allows you to express yourself without words and I think that is why everyone is so enamoured by dance.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
When you hear somebody speaking in an accent, it's almost like they're invading your language while they're speaking to you because if you hear someone speak another language, you almost don't care. But when they speak your language with an accent, it feels like an invasion of something that belongs to you. And, immediately, we change.
If we can listen to English music without understanding nothing, and dance on it, and feel the groove, feel the feelings, I'm sure everybody can do exactly the same for each language.
I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people.
So, not for lack of love of language, but because I feel our language is in an enormous state of humiliation, I decided to make films without words.
I couldn't live without music. I experienced things through music in different countries where you cannot speak the same language, but the music and the dance relates everything.
I have a wonderful English-language dialogue coach. All the time I have to speak English, he is with me. It is a double effort, because you have to say the words correctly and then act them.
I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words.
I believe that dance is the oldest, noblest and most cogent of the arts. I believe that dance is the most perfect symbol of the activity of God and His angels. I believe that dance has the power to heal, mentally and physically. I believe that true education in the art of dance is education of the whole man.
I can't stand musicals, but I love dance because it's a corporeal language that can be so rich and sometimes so unusual.
[... Dance] involves every possible feeling (as potential), because it is of the body, which is lived (inescapably) as a body of feeling. Some of these feelings we can name, and some we cannot, since we associate feelings with language only when we name them. The body lives sentience on a preverbal level. Dance exists first on this primordial level, not on an intellectual plane (even though it requires skill and intelligence). Its inmost substance cannot be reasoned, only experienced.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
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