A Quote by W. H. Auden
Most poetry is the utterance of a man in some state of passion, love, joy, grief, rage, etc., and no doubt this is as it should be. But no man is perpetually in a passion and those states in which he is amused and amusing, detached and irreverent, if less important, are no less amusing. If there were no poets who, like Byron, express these states, Poetry would lack something.
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A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
Almost all men are born with every passion to some extent, but there is hardly a man who has not a dominant passion to which the others are subordinate. Discover this governing passion in every individual; and when you have found the master passion of a man, remember never to trust to him where that passion is concerned.
Passion is the evil in adultery. If a man has no opportunity of living with another man's wife, but if it is obvious for some reason that he would like to do so, and would do so if he could, he is no less guilty than if he was caught in the act.
Poetry has never let me down. Without poetry, I would have found life less comprehensible, less bearable and infinitely less enjoyable.
It is hard to compare cultures without overgeneralizing, but I think a lot of American poetry has an assertiveness - an upbeat quality - that's less typical of Canadian poetry. Of course there are poets in both countries to whom that generalization does not apply. Speaking broadly, I'd describe Canadians as being a bit more reserved than Americans. Not less opinionated - just less direct.
Being a poet in the States is quite different from being one in China, because in the States poetry depends on the universities for its support. They finance the poets and help them get published. That isn't so in China. But overall it is the same. You can't change society with poetry.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
Whence all this passion toward conformity anyway? – diversity is the word. Let man keep his many parts and you'll have no tyrant states . Why, if they follow this conformity business they'll end up by forcing me, an invisible man, to become white, which is not a color but the lack of one. Must I strive toward colorlessness? But seriously, and without snobbery, think of what the world would lose if that should happen. America is woven of many strands. I would recognize them and let it so remain.
If he were less well trained, and less careful, he would say hate. But he can’t say it; it is too close to passion, and passion is too close to love, and love is amor deliria nervosa, the deadliest of all deadly things: It is the reason for the games of pretend, for the secret selves, for the spasms in the throat.
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
I would read the Shel Silverstein poems, Dr. Seuss, and I noticed early on that poetry was something that just stuck in my head and I was replaying those rhymes and try to think of my own. In English, the only thing I wanted to do was poetry and all the other kids were like, "Oh, man. We have to write poems again?" and I would have a three-page long poem. I won a national poetry contest when I was in fourth grade for a poem called "Monster In My Closet.
Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
Man is more himself, man is more manlike, when Joy is the fundamental thing in him, and Grief the superficial. Melancholy should be an innocent interlude, a tender and fugitive state of mind; Praise should be the permanent pulsation of the soul. Pessimism is at best an emotional half-holiday; Joy is the uproarious labor by which all things live? Christianity satisfies suddenly and perfectly man's ancestral instinct for being the right way up; satisfies it supremely in this, that by its creed Joy becomes something gigantic, and Sadness something special and small.
That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married.
It does not make you less of a woman to need a man. To need one to exist, yes, this is nonsense. To need one to give one scope and importance, this is dishonest. But to need a man, one man, to bring joy and passion? This is life
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