A Quote by Cheyenne Jackson

I always wanted to be on a great TV show and in a Broadway show and have a CD out, and the fact that they happened simultaneously is kind of an embarrassment of riches. — © Cheyenne Jackson
I always wanted to be on a great TV show and in a Broadway show and have a CD out, and the fact that they happened simultaneously is kind of an embarrassment of riches.
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
My whole initial goal was to be a comedian, so it's not like I chose to do a TV show out of nowhere. It's kind of always been goal to do a TV show.
Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.
I did a couple of little Off-Broadway things, but my first Broadway show was A History Of The American Film, written by Chris Durang. Swoosie Kurtz was one of the stars. It was a wonderful show. It closed in 40 performances. I think it was kind of ahead of its time.
The Texas thing is such a big deal because whenever I see Texas in a TV show, they always show slow-moving cattle and cowboys with the hats. I wanted to show that Texas isn't a stereotype.
I learned that a television show is not a collaboration. You give your 180 percent, but you do not question the show-runners. I remember doing a reading, and my part was kind of small that week, and I commented on it, and the next week, they cut me out of the show. So I learned that you never ask questions. In TV, you always assume you're going to be fired.
I'm a writer; I've worked as much as a writer as I have as an actor, so I was in a script-note session at Imagine for a TV show I wrote that they were producing, and they happened to say, 'You'd be great as Crosby, do you want to do this show we're doing, 'Parenthood?'
There's a lot of, you know, kind of train wreck TV reality shows out there. And I think Tori & Dean is a great show that really focuses on family, focuses on couples to show that everyone can watch together and enjoy. And that's what makes me the most proud.
At one point, some years ago, a nice gentleman had it in mind to do 'Outlander' the musical. His idea was to start with a CD of what you call a song cycle, with a dozen high points of the projected show. It turned out very well, though we had to stop doing it when the TV show came along.
You know, they wanted to do a Broadway album and every show was kind of a bomb. There was no music at all.
I was able to make the jump to theaters without having a TV show. My passion for getting a TV show just plummeted. It was like I had already achieved what I wanted to achieve.
You know, we certainly have a great budget on the show, but the expansions to world of the show really arise because, and this is kind of the idea of the premise of the show, where is each week you're kind of meeting . . . It's random access.
I wanted to start my career on TV with a show which could extract maximum potential out of me and of course, I was also looking at what team of people I get associated with for my debut show.
I'm in a play on Broadway, I have an animated TV show coming up, I have a few movies that just came out.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I've been in rooms where the creator has sold a show and then felt like the network didn't buy the show they wanted. They bought a show they thought they could craft into the show they wanted.
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