A Quote by Shangela

I would love one day for us to all get in to drag together and all hang out. Wouldn't that be fun, me and Bradley Cooper and Lady Gaga in drag skipping around the city? — © Shangela
I would love one day for us to all get in to drag together and all hang out. Wouldn't that be fun, me and Bradley Cooper and Lady Gaga in drag skipping around the city?
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
Personally, I like drag that's a little rough around the edges, drag you can run around in it, drag you can get in the Uber without worrying about!
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
It was a privilege and an honor to work alongside Lady Gaga and Bradley Cooper. Working with people at the top of their game was like a master class.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
I've loved the RuPaul model of drag, where you're an amazing drag queen, you're a smart and savvy business person, and you use those together to keep drag at the forefront of what people are talking about.
Work is not a drag for me. I like to get here early, hang out, catch up with the boys. I'll go in the cage and hit, do my exercises. I try to keep it fun and find ways to enjoy it.
Lady Gaga, Beyonce, Rihanna, all of these artists that we do love - you see so much of what we do, the personas, makeup, hair, fashion - like, all of is now incorporated in pop culture, and a lot of it has to do with drag, because we over-exaggerate everything, right? We take it out to the next level.
I want to literally quit drag and go live in the woods somewhere and write music for my favorite female singers, like Miley Cyrus or Kacey Musgraves. I would love to be able to write music for them and hear these women I admire sing my songs. That would be like doing drag without having to get into drag myself.
It's always been that I feel more masculine in drag than I do out of it. I only get called 'ma'am' out of drag and I only get called 'sir' in drag.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
It used to be that I'd do drag, then get out of drag, and try and be as much of a boy as possible. That didn't feel entirely authentic for me, but it felt like what I had to do at the time.
My publicist told me that a magazine was going to say I was having a thing with either Sam Claflin or Bradley Cooper, and I got to choose. And I chose Bradley Cooper because I love Sam's fiancée so much. Sam is so sweet. So sweet that he's almost not hot anymore.
This site uses cookies to ensure you get the best experience. More info...
Got it!