A Quote by Charlotte Caffey

We were up for a Grammy, we sold millions of records and we toured the world I don't know how many times. It was insane. — © Charlotte Caffey
We were up for a Grammy, we sold millions of records and we toured the world I don't know how many times. It was insane.
How lucky can one guy get? I was a runaway, and then I was in one of the biggest bands in the world. I've sold out every arena. I've sold millions and millions of records.
How many boys like him were out there in the ether, holding on to their big brothers and sisters who were still alive? How many husbands were floating between life and death, clinging to their wives in this world? And how may millions and millions of people were there in the world like Charlie who wouldn't let go of their loved ones when they're gone?
I know it seems like LCD Soundsystem sold millions and millions of records, but we didn't. I'm not a wealthy person.
I need to know how many records I've sold, how many album equivalents from streaming, which territories are playing my music more than others, because it helps me in conversations about where we're gonna be playing shows or where I might open a retail location, like a pop-up store or something.
There are so many great records that when you grow older, you're like, 'Oh man, this is the best record ever made.' And you're like, 'Oh it didn't get nominated or win a Grammy.' It's countless, how many amazing, classic American records haven't been knighted or whatever.
When I was touring with Ozzy, you know, when I was with Manson, we toured with Ozzy, so many times, we did Ozzfest a thousand times, and, you know, it seems like I'm always playing with Ozzy in one way or another opening up.
In many cases, it's a choice. There are many, many human beings through history - millions and millions and millions - who have been both homosexual at times in their lives and then heterosexual, or vice-versa, or bisexual. How can it be a biological imperative if people can change?
Then it is in me, too, the psychotic streak. A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And-how many of us do know it? ... Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses-what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse, the truth...?
We've played with Black Flag, Bad Brains, Minor Threat, The Ramones. You name any punk band and we've probably played or toured with them all the way up to and including Soundgarden, who we've toured with three times now. We also toured with Metallica for a year. But yeah, Megadeth was the only one we were a little sketchy about because um, it was a little sketchy.
Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
If you sold a million records, the only way you could be disappointed is if the guy down the street sold seven million. But you've got to start dodging bullets once you've sold that many records, because everybody wants to kill you. We're not in that position. We can still be very successful and not have to worry about wearing bulletproof vests.
To have so many years in the rap industry and so many number one songs, and sold so many millions of records, introduced the world to people like Cool & Dre, DJ Khaled, Pitbull, Rick Ross, Trick Daddy, Remy Ma, Big Pun, Rico Love... I could go on and on. Having been able to influence the rap game for so long is very important to me.
We were nominated [for Grammy] once before for our album 1916. We were up against Metallica at the time and they had just sold a quarter of a zillion albums.
A lot of things encouraged me to start my label. I think it's very important for an artist to know how many records they've sold and where they've sold. I know that I have never been treated the way I'm supposed to be treated - like an artist. That's why I do things for myself. I feel like I'm a free man.
I've sold a lot of records. I've sold, like, 150 million records, and I don't think I've had that many good reviews. It's one of those things that when you're really successful, critics hate you just because you're successful.
My most successful album happened back in the mid-'90s, pre-Internet times, with 'Songs For A Blue Guitar.' We were supported by Island Records; we toured a lot. Songs were licensed to TV commercials and movies.
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