A Quote by Charles Baudelaire
In literature as in ethics, there is danger, as well as glory, in being subtle. Aristocracy isolates us.
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Before thy undertaking of any design, weigh the glory of thy action with the danger of the attempt; if the glory outweigh the danger, it is cowardice to neglect it; if the danger exceed the glory, it is rashness to attempt it; if the balances stand poised, let thy own genius cast them.
Instead of an aristocracy of wealth, of more harm and danger than benefit to society, to make an opening for the aristocracy of virtue and talent, which nature has wisely provided for the direction of the interests of society and scattered with equal hand through all its conditions, was deemed essential to a well-ordered republic.
To the feudal aristocracy and the aristocracy of the spirit, nobility derives from diametrically opposite sources. The glory of the feudal aristocrat is in being a link in the longest possible chain of ancestors. The glory of the aristocrat of the spirit is in having no ancestors - or having as few as possible. If an artist is his own ancestor, if he has only descendents, he enters history as a genius; if he has few ancestors, or is related to them distantly, he enters history as a talent.
In general, in America, every discourse in literature in 15 minutes degenerates into a conversation about ethics, morality and this and that. The Holocaust and the consequences of it. Well, I find it terribly boring, predictable and unimportant, because what matters about literature is esthetic achievement.
...mathematics is distinguished from all other sciences except only ethics, in standing in no need of ethics. Every other science, even logic, especially in its early stages, is in danger of evaporating into airy nothingness, degenerating, as the Germans say, into an arachnoid film, spun from the stuff that dreams are made of. There is no such danger for pure mathematics; for that is precisely what mathematics ought to be.
Oldboy makes us feel a part of something bigger than ourselves. It's a grand, gritty, indelible experience, the sort of picture that mimics great literature in the way it envelops you in a well-told story while also evoking subtle but strong gradations of emotion.
The human person is in danger: this is certain, the human person is in danger today, here is the urgency of human ecology! And it is a serious danger because the cause of the problem is not superficial but profound: it is not just a matter of economics, but of ethics and anthropology.
We have no idea who we really are. Whatever glory bestowed, whatever glory is being restored, we thought the whole Christian thing was about... something else. Trying not to sin. Going to church. Being nice. Jesus says it is about healing your heart, setting it free, restoring your glory. A religious fog has tried to veil all that, put us under some sort of spell or amnesia, to keeup us from coming alive.
The only glory most of us have to hope for is the glory of being normal.
It's funny because I think that genre literature can be looked down on by literature literature. And I like that! I like being scorned; I like people looking down their noses at us a little bit... It gives us a little chip on our shoulder.
The genius of the Spanish people is exquisitely subtle, without being at all acute; hence there is so much humour and so little wit in their literature.
Oxigen [oxygen], as you well know, is my hero as well as my foe, and being not only strong but inexhaustible in strategies and full of tricks, I was obliged to call up all my forces to lay hold of him, and make the subtle Being my prisoner.
The cliché is dead poetry. English, being the language of an imaginative race, abounds in clichés, so that English literature is always in danger of being poisoned by its own secretions.
Let us inquire what glory there was in an omnipotent being torturing forever a puny little creature who could in no way defend himself? Would it be to the glory of a man to fry ants?
My father says that fear is good; it's the body's alarm system, it warns us of danger. But sometimes danger can't be avoided, and then you have to forget about being afraid.
It is not merely the brevity by which the haiku isolates a particular group of phenomena from all the rest; nor its suggestiveness, through which it reveals a whole world of experience. It is not only in its remarkable use of the season word, by which it gives us a feeling of a quarter of the year; nor its faint all-pervading humour. Its peculiar quality is its self-effacing, self-annihilative nature, by which it enables us, more than any other form of literature, to grasp the thing-in-itself.
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