A Quote by Sharon Jones
In Rikers, you had the Italians over here, the Spanish over here, the Blacks here, then there would be your Christians here and your Muslim brotherhood here. It's just like the outside, but in very closed quarters where you have to get along or else. The sense of claustrophobia in 'Orange is the New Black' - that's real.
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When the residue of oppression and fear are compounded over time, when the historical precedents of policing and discrimination manifest themselves over and over again, the very act of waking up to a world complicit in your distress can feel like a herculean task. But black people are human beings, just like everyone else.
At lunchtime I bought a huge orange The size of it made us all laugh. I peeled it and shared it with Robert and Dave— They got quarters and I had a half. And that orange it made me so happy, As ordinary things often do Just lately. The shopping. A walk in the park This is peace and contentment. It's new. The rest of the day was quite easy. I did all my jobs on my list And enjoyed them and had some time over. I love you. I'm glad I exist.
No matter how revolutionary something is, if you keep doing it over and over and over then it does loses it's excitement and it's high dynamics and people get used to ... get used to it like anything else you know um and then it just becomes a normal deal and then it becomes not very interesting at all.
We would meet truck drivers, and they were like, ''Orange Is the New Black' is my favorite show.' And we're like, 'What? This looks like a Red State, Trump-voting guy, and he loves 'Orange Is the New Black?'' I think that's the power of storytelling.
All mankind is from Adam and Eve, an Arab has no superiority over a non-Arab nor a non-Arab has any superiority over an Arab; Learn that every Muslim is a brother to every Muslim and that the Muslims constitute one brotherhood. Nothing shall be legitimate to a Muslim which belongs to a fellow Muslim unless it was given freely and willingly. Do not, therefore, do injustice to yourselves.
And when you are operating within your style, which is your world, which you operate in, then it also would make sense to you. Now, whether it makes sense to anybody outside is besides the point really. You just do it and then you find that other people kind of begin to relate to it and allow themselves to get into your way of thinking about things.
You want to know what it's like to be on a plane for 22 hours? Sit in a chair, squeeze your head as hard as you can, don't stop, then take a paper bag and put it over your mouth and nose and breath your own air over and over and over.
You keep working on your piece over and over, trying to get the sections and paragraphs and sentences and the whole just right, but there's a point at which you can tell you've begun hurting the work with your perfectionism. Then you have to release the work to new eyes.
You’ll get over it…” It’s the clichés that cause the trouble. To lose someone you love is to alter your life for ever. You don’t get over it because ‘it” is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to grieve over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to?
The only people who have control over their careers are the ones you see on the covers of magazines. Everyone else is just plodding along making a living. The key is not to live over your means and overdo it.
I could turn around as Wyatt Walker said to me about, not you personally, but about the whole Black Muslim movement. That if you go outside of New York City, Dr. [Martin Luther] King is known to 90 percent of the Negroes in the United States and is respected and, and is identified more or less with him, at least as a hero of one kind or another. That the Black Muslim, outside of one or two communities like New York, are unknown.
The Muslim Brotherhood, or 'the Brotherhood' for short, is an Islamic group founded in Egypt in 1928. It has been pursuing a secret campaign to take over the government since its creation.
You know, when Sharpton and I walked in, it was, like, big commotion and everything, but everybody was very nice. And I couldn't get over the fact that there was no difference between Sylvia's restaurant and any other restaurant in New York City. I mean, it was - it was exactly the same, even though it's run by blacks, primarily black patronship.
If you keep hearing the same thing over and over again from your fan base, you should pay attention to that. But that's just another bunch of loud voices in your ear. I would imagine it makes it very hard to stay in touch with your own gut. You try to think of it as just another episode, but that never works. It just isn't.
For instance, if you're a black guy and you got pulled over, and you didn't know that any other black men were being pulled over, you would constantly in the back of your head be thinking, "What did I do?" rather than, "I didn't do anything, these are just the conditions I live under."
Sometimes you have to get out of your own way as an actor. Young actors tend to over prepare sometimes and over think it. And actually there is nothing wrong with walking on a set with an empty brain and then on action allowing your adrenaline and your trust in yourself to take over.
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