A Quote by Shahrukh Khan

I do believe that an actor, who is self aware, will never do a film that is not an extension of his
personality. — © Shahrukh Khan
I do believe that an actor, who is self aware, will never do a film that is not an extension of his personality.
Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.
The actor's physical type is the main consideration. It isn't and shouldn't be. Does the actor "look the part"? It is the simplest question to deal with. The director deludes himself who yields to the temptation to believe that an affirmative answer settles the matter. An actor's looks will impress an audience initially but after his first five minutes on stage it becomes aware of what he or she communicates (or fails to communicate) through acting!
Style, to me, is an extension of one's personality, a kind of self expression which is very personal. It is an expression of your moods, your personality.
And at the place where time stands still, one sees lovers kissing in the shadows of buildings, in a frozen embrace that will never let go. The loved one will never take his arms from where they are now, will never give back the bracelet of memories, will never journey afar from his lover, will never place himself in danger of self-sacrifice, will never fail to show his love, will never become jealous, will never fall in love with someone else, will never lose the passion of this instant of time.
The amount of preparation I saw from someone like [David] Fincher, and how aware he is of everybody else's job on the set, and how much respect he has for every aspect of the film, and every aspect of the frame - that's the type of actor I am now; it's not the type of actor I was then. But without understanding his process, and then coming to learn it later on, I would never be the actor I am now.
Any actor will want his 100th film to be a commercial film, the biggest movie of his career.
You must become aware of the richness in you and come to believe in it and know it is there, so that you can write opulently and with self-trust. If you once become aware of it and have faith in it, you will be all right.
The guy you see on the screen isn’t really me. I’m Duke Morrison, and I never was and never will be a film personality like JOHN WAYNE . I know him well. I’m one of his closest students. I have to be. I made a living out of him.
Every actor looks all his life for a part that will combine his talents with his personality... 'The Odd Couple' was mine. That was the plutonium I needed. It all started happening after that.
Work is an extension of personality. It is achievement. It is one of the ways in which a person defines himself, measures his worth, and his humanity.
"The first awareness of the child comes with his ego. He becomes aware of the "I", not of the Self. Really, he becomes aware first of the "thou". The child first becomes aware of his mother. Then, reflectively, he becomes aware of himself. First he becomes aware of objects around him. Then, by and by, he begins to feel that he is separate. This feeling of separation gives the feeling of ego, and because the child first becomes aware of the ego, ego becomes a covering on the Self. "
It is man's intrinsic and irreducible self-responsibility to humanize himself, to exercise his entire range of rational and moral resources to raise his mode of being and seeing and acting above not just that of animals, but also above that of the majority of subhuman (never to be self-realized) humans who will never draw themselves into a self-punishing position of focal self-diagnosis and self-accountability.
What's nice about writing and making films is that being able to see a film from the outside - from the inception through production and then completion - just informs what you're doing when you're an actor. And when you're an actor, it informs the decisions you make when you're making a film. It's using two different sides of your personality.
Style is an extension of yourself. My approach is to enhance the personality of the wearer, so he has his own voice
An actor is totally vulnerable. His total personality is exposed to critical judgment - his intellect, his bearing, his diction, his whole appearance. In short, his ego.
I believe, for an actor, both the success of his film and awards are equally important.
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