A Quote by Sheila Heti

Sometimes you do have people who are great at curating; sometimes you have people curating who don't know what they're do. — © Sheila Heti
Sometimes you do have people who are great at curating; sometimes you have people curating who don't know what they're do.
For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas.
I don't always enjoy curating, but I do believe it's part of my job. It's a good exercise for my brain, like warming up. Just focusing on my work would be so depressing! For me, curating is necessary - it's like physical training.
Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park.
The alchemy of good curating amounts to this: Sometimes, placing one work of art near another makes one plus one equal three. Two artworks arranged alchemically leave each intact, transform both, and create a third thing.
You can’t have people curating culture in this way when we need to see things in order to reform from them.
I love curating, because I'm lucky and privileged that I have a platform and I can share my discoveries with other people.
Curating our data is valuable. Like 23andMe - while selling us the chance to know whether we're Vikings or whatever, they're amassing these huge DNA databases that are unimaginably valuable. Get people to pay you to add their DNA to this database. Genius!
I'm interested in pitches that have compelling people and ideas at the core - and a good news peg certainly doesn't hurt. We look for stories that are solutions-oriented, but not irrationally upbeat, from writers with a strong voice. For LadyJournos, where I'm curating not editing.
Feminism isn't about curating or policing the boundaries of womanhood.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
I do like to work. Some jobs are better than others. That's the thing: You really don't know. I've enjoyed making movies for lots of different reasons. Sometimes, it was the other people. Sometimes, it was the fact that I was really good in it. Sometimes, it was the location. Sometimes, it was the paycheck.
I try to love my neighbor as myself but I'm not trying to be a people pleaser. Sometimes that's hard, because my human nature is to want people to be happy with me. But sometimes I feel my convictions are so great that it would be compromising the truth if I didn't do that. So sometimes it's a struggle to say, "This is what I think; this is what I believe, and if you don't agree with me, oh well." The hardest thing for people to accept is the gay-affirming issue. It's hard for people to agree to disagree on that one.
Tech gives people more opportunities to be themselves in front of other people. Sometimes that's great; sometimes it's bad.
I think that the role of curating an exhibition is to reanimate history and make it relevant to a contemporary viewer.
Not only don't I know who I am, but I'm very suspicious of people who do know who they are. I am sometimes ten or twelve people a day, and sometimes four or five people an hour!
When people say England, they sometimes mean Great Britain, sometimes the United Kingdom, sometimes the British Isles, - but never England.
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