A Quote by Shane Carruth
I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.
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If people depend on me to be a man of truth, I have to prove again and again and again and again that I am a man of truth. It cannot be that on Monday I am a man of truth, on Tuesday I speak three-quarters truth, Wednesday I speak half-truth, on Thursday I speak one-quarter truth, on Friday I don't speak at all, and on Saturday I can't even think how to speak the truth.
When you speak universally, it means that you speak from the Moon, you speak from the Sun, from the stars; you speak by being in every corner of the universe!
It's important for me to give each thing the possibility to speak and also to allow artworks speak to each other.
I speak English, obviously, Afrikaans, which is a derivative of Dutch that we have in South Africa. And then I speak African languages. So I speak Zulu. I speak Xhosa. I speak Tswana. And I speak Tsonga. And like - so those are my languages of the core. And then I don't claim German, but I can have a conversation in it. So I'm trying to make that officially my seventh language. And then, hopefully, I can learn Spanish.
Speak kind words to mankind and the unkind will attack you. Speak common sense using all your senses, and you will attacked by the senseless. Speak truth and you will be attacked by the untruthful. Speak about absolutely nothing and absolutely nothing will speak back, but then nothing at all will ever change.
When I go to Colombia or Mexico, I speak Spanish. When I go to Italy, I speak Italian. When I'm in Germany, I speak German. Would I expect them to speak English in these countries? No. I mean, great if they do, but no. Would I be offended if in Spain they say we speak Spanish? No. If I was an immigrant there, no.
When I speak, I don't speak for myself; I don't have the luxury of a Caucasian to be able to speak for myself. I speak for a whole community, and I represent so many different communities that that felt like a lot of pressure.
I always think if you speak to someone in their second language, you speak to their head. If you speak in their first, you speak to their heart. I've always tried to let players see that.
The tears of the world are a constant quantity. For each one who begins to weep somewhere else another stops. The same is true of the laugh. Let us not then speak ill of our generation, it is not any unhappier than its predecessors. Let us not speak well of it either. Let us not speak of it at all. It is true the population has increased.
Characters on stage, like people in what we refer to as "real life," do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.
I really like the reggae concepts like the culture vibe. They speak on everything that's going on, they don't have limits. They speak on politics, they speak on life, they speak on the troubles of poverty, everything. The message, the melodies and the concepts of reggae music are unbelievable.
I had to appreciate other things about music, like the writing and the cadence and dealing with producers. I became a student. I wanted to learn the actual idea of what this industry was before I could creatively speak a lot of the things that I wanted to speak.
I could speak to you and say, 'Laytay-chai, paisey, paisey.' ... Why aren't you responding? Oh, you don't speak Swahili. Well, I've got news for you. The dog doesn't speak English, or American, or Spanish, or French.
The emoji still doesn't really speak to the complexity that actually - or the subtext that goes on between when people actually speak face-to-face.
Obviously, people in the media speak a lot when things aren't going right, but we as players do communicate with each other. Maybe it doesn't come across as being loud on the pitch - and you don't see it as much - but we do speak when things aren't going as well as planned.
When men talk about war, the stories and terminology vary - it's this battle, these weapons, this terrain. But no matter where you go in the world, women use the same language to speak of war. They speak of fire, they speak of death, and they speak of starvation.
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