A Quote by Shenaz Treasury
Very bad roles were coming my way, and I didn't want to do them. Hence, I was doing small films like 'Delhi Belly,' where, though the footage wasn't long, the role was good.
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That transition from child to adult actor is so incredibly elusive. The roles that were coming to me as a young adult were not that great, but I was taking them anyway to pay the rent. And the more bad roles in bad movies I took, the less anybody wanted me for a good role in a good movie.
When you envy actors, only envy them for their good roles. Keep in mind they have to do a lot of roles to make a living, and not all of them are good. When they're doing a stupid role in a bad production, it's kind of a dumb thing to do when you're an adult. When you're doing a great role that's well-written, it's an enviable job.
I'm just open to doing all different kinds of movies. I have a movie called Scout coming out and it's a coming of age story. [] I have a very small role in it, but it was really fun to make and really light, but I do want darker roles.
I choose my films in a way that helps me do justice to all of them. Also, I like doing time-consuming films like 'Baahubali'; it's sometimes more rewarding than doing lots of small films.
If you are known to do something well, people want to see you do that. But what you choose to do is up to you. After 'Delhi Belly,' I got some 40 scripts - some on the same lines as 'Delhi Belly.' So, I guess people only get stereotyped if they want to.
I want to do good films. It is not that I have any problem doing commercial roles, with all the glitter. I am doing 'Cabaret.' It is very glamourous.
For a woman, there is a complete dearth of roles to do. Abroad, you really have good roles, and by good roles, I don't mean the film has to be women oriented. I wouldn't mind playing a well-written, small role.
Independent films are very hard to get made, but I'm lucky enough to get them made, so I'm going to keep doing it. I like my independence. I like being able to tell a story the way I want to tell a story. I don't like developing it with a team. I like coming to a story and deciding whether I want to do it or not.
It's very important to not repeat yourself. After 'Delhi Belly,' I was offered 40 'Delhi Belly's and you can't do that! So 'Revolver Rani' is dark and gritty with action, 'Sooper Se Oopar' is a big commercial love story, 'Santa Banta' is a 'theth' Punjabi comedy, 'Golu Aur Pappu' is a kids' film and 'Amit Sahni Ki List' is an urban romcom.
I will see 100 or 200 and I will take my time with them and I audition them for the two main roles. If I like what I see, but they're not exactly right for the role, I'll think well I have this other role that might work for them. Sometimes I will write a role for them because I want to work with them because they're so good.
I have grown up in Delhi in a way, and I keep coming here often. But, and I am sorry to say, I'll always be nervous when in Delhi. In my college days, I have had my bum pinched around so many times. So yes, in Mumbai, I can just walk around and do what I want to do, but in Delhi I'll always be scared.
Audiences like me doing action and comedy. I am a jovial person and have been so from childhood. I like to laugh my way through my work, and that attitude reflects in my roles. Even women hate me doing rona-dhona roles. So I don't do emotional films.
Everything in my life happened by coincidence. Even my role in 'Delhi Belly.'
It is not the team that creates the comfort zone. I thinks it's the kind of films. You keep doing same kind of films that makes you comfortable. But none of my roles have been the same. They have been different, even though the films' premise were the same.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
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