A Quote by Cheryl Strayed

Every time I read Erin Belieu work I'm pierced in that wonderful way poetry can. — © Cheryl Strayed
Every time I read Erin Belieu work I'm pierced in that wonderful way poetry can.
I don't have a set schedule to work on poetry at any given time, at the same time every day, but I do try to work on poetry every day and I do find some time every day that I can with some exceptions to work on poetry.
I read poetry every day. I love the boiled down essence of poetry. I look for poetry in prose. In a way that evocative.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
... the state of rapture I experience when I read a wonderful book is one of the main reasons I read; but it doesn't happen every time or even every other time, and when it does happen, I am truly beside myself.
Read. Read every chance you get. Read to keep growing. Read history. Read poetry. Read for pure enjoyment. Read a book called Life on a Little Known Planet. It's about insects. It will make you feel better.
I read usually in the morning, in my kitchen at breakfast - a short reading time, usually poetry. I read in bed every night. I usually get in bed pretty early with a book, and I read until I can't prop my eyes open anymore - sometimes rather late.
The way to become a poet is to read poetry and to imitate what you read and to read passionately and widely and in as involved a way as you can.
Has anybody ever told you you're an evil woman?" -Reece "Who, me?" -Erin "Yes, you." -Reece "Li'l ole me?" -Erin "Sadistic goddess you, yes." -Reece "Do you want me to stop?" -Erin "Do you want me to hold you down and bang you like a screen door?" -Reece "Don't threaten the sadistic goddess, Reece." -Erin
One good way to start writing poetry is to read all kinds of poetry: not just in order to imitate but to fill up your head with it, to absorb it, to make poetry an essential part of how you view the world.
Poetry always runs away from you - it's very difficult to grasp it, and every time you read it, depending on your conditions, you will have a different grasp of it. Whereas with a novel, once you have read it, you have grasped it.
Every time I think that I've pierced through the simulation, every time I feel like I've written something authentic, it feels like I then sort of lose my footing with it.
The formal stuff feels old and windy. Not to say you shouldn't know prosody. But it's a wonderful time for exploratory poetics. Contemporary poets are inventing all kinds of wild, complex shapes for poetry, as we see. It's a wonderful time, less ego-centered.
I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.
When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
I thought it was irrelevant to talk about what a wonderful thing poetry was if you didn't teach people to read.
This site uses cookies to ensure you get the best experience. More info...
Got it!