A Quote by Sherilyn Fenn
I hope maybe somehow I won't be in this business all my life, and I won't be one of those women that's trying to, you know, save what she looks like... My work is about something completely different. It's about what's inside.
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I know in the movie it looks like my grandmother is condoning it, but she really wasn't. But back in those days, men beat women. She was trying to tell me something without being judgmental, trying to help me understand that's what men do.
I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.
If I was in a bad mood, then maybe I won't talk about it, but you're going to know about it somehow. If something was bothering me, maybe I would have acted a little bit like a child, meaning I go break something in a room.
The woman doesn't look up. It's as if she's deaf. Maybe she is. Maybe she's like the Cambodian women I've read about, the ones who witnessed so many atrocities that they have willed themselves blind. Maybe that's what you have to do sometimes to survive. You kill off part of yourself, your hearing or eyesight, your capacity for hope.
She looks sad. She looks angry. She looks different from everyone else I know—she cannot put on that happy face others wear when they know they are being watched. She doesn’t put on a face for me, which makes me trust her somehow.
I've just finished reading a book about the brilliant Margaret Rutherford. She wasn't a beauty, but inside she was absolutely blazing and passionate about her work. She's one of those life-affirming characters.
I'll explain it to you. To me it's more than a game." She touches her chest and says, "When you love something as much as I love football, you just feel it inside. Did you ever love doing something so bad that it consumed you?" "A long time ago." "That's what football is to me. It's my passion, my life… my escape. When I play, I forget everything that sucks in my life. And when we win…" She looks down like she's embarrassed to admit what she's about to reveal. "I know this is going to sound stupid, but when we win I think miracles can happen.
I don't know how to choose work that illuminates what my life is about. I don't know what my life is about and don't examine it. My life will define itself as I live it. The movies will define themselves as I make them. As long as the theme is something I care about at the moment, it's enough for me to start work. Maybe work itself is what my life is about.
It is always the case that when something emerges - which, of course, from the perspective of the former West Germany looks very different - then people say, 'She hasn't told us this yet' and 'She hasn't told us that yet.' I don't know - maybe there are other things I didn't talk about because no one ever asked me.
There are days when everyone in the world looks like a Diane Arbus to me. She's a genius but her work is completely different to mine. But on those days I don't use my camera.
Maybe I don't need a relationship after all, she thought. Maybe thinking about these conversations was just as good as having them. She could sit in her Honda in the dark and experience whatever kind of life she wanted. Sometimes you think, Hey, maybe there's something else out there. But there really isn't. This is what being alive feels like, you know? The place doesn't matter. You just live.
We have to design policies that have meaningful impacts on the quality of life of women and families. And that's something that I know I can speak passionately about because whether I'm in the White House as First Lady, as long as I have kids and I'm trying to have a life, I'm gonna be trying to make this balance work...
I kind of like the idea of taking a concept and going all the way with it, even if it's not completely plausible. It's something that I like about making movies. You have a concept that maybe would not work in real life, but you can make it work in the world you're creating.
I like that Sarah Palin. She looks like the flight attendant who won't give you a second can of Pepsi ... She looks like the nurse who weighs you and then makes you sit alone in your underwear for 20 minutes ... She looks like a real estate agent whose picture you see on the bus stop bench ... She looks like the hygienist who makes you feel guilty about not flossing ... She looks like the relieved mom in a Tide commercial.
I feel like I'm changing as a human being, and I think that the work needed to be in line with where I'm at. When I was younger and I was making political work, I was trying to figure out where my work fit in because when you're young you're like, "I don't know." I'm Latino, I grew up in Mexico, and so I thought that maybe I had to talk about those things. Then finally I didn't need my identity to rely on anymore. So now the work is becoming about more esoteric things, I guess - my own sort of language.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
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