A Quote by Sherry Lansing
There's a Harvard Business School thing that says, 'Every 10 years you should replant yourself,' and the only way to keep young is to learn new things and keep curious.
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For every new guy, you need to change a few things in the way you train, the way you take every fight. For every guy I train for, I prepare differently and learn new things, and I just keep them. That's why it's good to be fighting new people, because you add new things to your arsenal and keep getting better and better all the time.
The only thing I'll say, and I'm sure everyone says this, is stick with it. I'm not shy about telling people about the fact that my dream was to go to USC film school when I was growing up in New Jersey. I got rejected five times. You just keep going, keep going, keep going.
You have to be really tenacious. You have to keep at it. There are many roads to get there. If you can get yourself into Harvard, that's a good way to go, because every Harvard graduating class, the agencies come trolling around and they'll look for you. So if you go to Harvard, you'll get found there.
Most actors try to do as many different things as possible. I like the encouragement I get from doing new things. I like to feel scared or challenged in the hope that I can pull it off. That little bit of fear creates an energy that I can channel into the performance. And you have to keep tapping new parts of yourself, keep working or you never improve. The only way to improve is to set yourself harder goals.
Every day is an opportunity to learn something or discover something or someplace. Be curious, play, go out on a limb, walk a different way to work, try a new food at dinner and keep learning and growing.
Some things lend themselves well to songs, some things don't, and I'm learning that a lot at the moment. It's still a relatively new way of writing. It's only really the last five to 10 years that I've taken my writing seriously in this way, as something I can keep working toward. I think I feel myself much more before as simply a songwriter.
I keep joking that I'm in Jason Reitman Film School, because I keep asking him questions every single day about directing and I have a list of things that he's told me to do and not do and I definitely couldn't learn from a better person.
I've always had to keep the walls in place, and the only way to do that is to keep yourself constantly occupied... From the time I was 8 years old, until I went to college, I worked... There was no social life.
I couldn't have known how vertiginous the entire Huxtable project was. I was, like, 10, 13, 15 years old when the show was a thing. But eventually, I could see that Cliff became a play for respectability. 'This is how you comport yourself among white people, young black child. Take a little bit of Howard with you on your way to Harvard.'
There are two ways you encounter things in the world that are different. One is everything that comes in reinforces what you already believe and everything that you know. The other thing is that you stay flexible enough or curious enough and maybe unsure of yourself enough, or may be you are more sure of yourself - I don't know which it is - that the new things that come in keep reforming your world view.
Do you want to do this thing? Sit down and do it. Are you not writing? Keep sitting there. Does it not feel right? Keep sitting there. Think of yourself as a monk walking the path to enlightenment. Think of yourself as a high school senior wanting to be a neurosurgeon. Is it possible? Yes. Is there some shortcut? Not one I've found. Writing is a miserable, awful business. Stay with it. It is better than anything in the world.
Every 10 years or so, there was a moment when I'd say, even subconsciously, 'Is that all there is?' You've got to find ways to keep it fresh for yourself.
I want to keep acting and I want to keep working with high quality artists. I might be a bit spoiled because they're so good at what they do. I think the only way you learn is to surround yourself with people that are better than you.
You know who it is? It's me in 10 years. So I turned 25. Ten years later, that same person comes to me and says, 'So, are you a hero?' And I was like, 'not even close. No, no, no.' She said, 'Why?' I said, 'Because my hero's me at 35.' So you see every day, every week, every month and every year of my life, my hero's always 10 years away. I'm never gonna be my hero. I'm not gonna attain that. I know I'm not, and that's just fine with me because that keeps me with somebody to keep on chasing.
It's so much in me to want to keep experimenting all the time. It's just inherent. Therefore I keep reaching for instruments I don't particularly know how to play, and then I become excited. That gives me energy to want to make new things, and it forces me to hear things in new ways, which then can only help to say things in a new way.
I have little interest in a surgeon who says, "I learned that when I was in medical school. Why should I revisit it?" or who says, "I've done that operation the same way for ten years. Don't bother me with new approaches." I see teaching in the same way.
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