A Quote by Shia LaBeouf

I'm not an Adonis, that's for damn sure. I've never really thought of myself that way, and it doesn't matter to me. My favorite actors aren't Adonises. Dustin Hoffman is a flawed-looking man; he's amazing to me. Tom Hanks is flawed-looking; people love him. Same with Gene Hackman.
I got a call from Tom Hanks, who directed That Thing You Do!, when he was done cutting that film. I was like, "Oh, my god. Tom Hanks is calling me. This is amazing!" And then, of course, he was calling me to tell me that I was barely in the movie. But I'll never forget it - and this is why he's Tom Hanks, because he's got such a way with words.
Dustin Hoffman and Tom Cruise were both so generous to me on the Rain Man set. I remember Tom was in the trailer when I said to the makeup guy, "You know, I would really like to not wear any makeup. I just have this feeling that she wouldn't have any." And Tom said, "Yeah, that's cool!"
My characters in my movies are all flawed. You'll probably never see Tom Hanks in a Doug Liman film. He plays, you know, very earnest and unflawed.
I'm sure when 'Midnight Cowboy' came out, it took a couple of minutes to get used to the voice and the look of Dustin Hoffman, or to even recognize that it was Dustin Hoffman.
The guy I've never worked with that is pissing me off is Tom Hanks. I want to work with Tom Hanks more than anyone.
I really love young Tom Hanks. He's just one of my favorites. He's a great, quirky every-man. I also love Zach Braff. I really love actors that are quirky and interesting, that sort of try to portray 'normal' people.
It seems to me that most characters, in anything, are flawed in some way, just like most people. You look for the good in the flawed people and vice versa, and then try and make them appealing in some way.
Dustin Hoffman also never does the same thing twice which is totally stimulating because you're always getting something new from him. You never really know what he's going to do next, so you have to be on your toes.
I think we love watching people that are flawed because we're all flawed.
Both villains and heroes are a bit boring, really, unless they're flawed and broken somehow. If they're not flawed and broken, then clearly they need to be broken and made flawed. That's what an author does if he or she has any dignity.
I didn't even have a portfolio, but I went to Tom Ford the next morning. He said, "I'd love you to come in with me. Get a lawyer." It was quite exciting, obviously, because it was a complete departure. But mind you, what he was looking for was the exact opposite of what I thought. My first collection for him was Cher-inspired. It was flower trousers, California, hippie cool, all the stuff I did at Oscar. It was making me sick. I wanted to see the other side of the spectrum. Tom was always very secure about the way he did things, so it was quite interesting for me.
My heroes are Bill Murray and Dustin Hoffman. Those are the two actors that both do comedies and dramas, seamlessly. Also John C. Reilly and Philip Seymour Hoffman. They're all just great actors, neither comedic nor dramatic. They're just great actors.
Tom Jones is funny to me, man. I mean, he really tries to ape Ray Charles and Sammy Davis, you know. He's nice-looking; he looks good doing it. I mean, if I was him, I'd do the same thing. If I was only thinking about making money.
Dustin Hoffman was the greatest. He had so much information to give and he mesmerized me. He really feels for actors who are just starting out and remembers his early days like they were yesterday.
I love flawed characters, male or female, and I only want to talk about flawed characters, really, in what I do.
We [me and Alison McGhee] probably wouldn't have said that when we were writing the stories, but it is so apparent to me in the finished product. For me, looking at Bink, it's like looking at myself on the page in a way that I've never experienced with any other book that I've written.
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