A Quote by Chirlane McCray

I had never had a deep sense of belonging anywhere. I always felt I was an outsider. — © Chirlane McCray
I had never had a deep sense of belonging anywhere. I always felt I was an outsider.
I've always felt like an outsider in this industry, but that sense of community - that sense of belonging with your fans - it's an amazing feeling, and it's really inspiring.
I've never been a conceited person or cocky, never felt boastful, but I always had a sense of self-worth; I always had a real sense of myself.
I am realising this now more as I grow up: that I never really felt connected to locations. In some sense, I always kind of felt a little lost in that I never had any hometown pride. While I experience a lot different places and experiences, I always felt a little detached.
I just never felt like I belonged anywhere. I always had a stick with a little knapsack attached.
Our family were outsiders, and I've always had a sense of the outsider, the underdog, and a strong sense of justice towards people who are excluded.
I've always felt like an outsider as a woman. I've never really felt wholly comfortable in a women's world or woman's things. I've never been conventionally pretty or thin or girly-girl. Never felt dateable. All I've seen on TV has never felt like mine.
'Cuckoo's Nest' was my first film, and I had wanted to do film for some time, but somehow I had not clicked. I would go in for interviews or readings, and I never had the sense that I was anywhere near what they were looking for.
I always had this crisis: where do I come from? I was never an insider, never an outsider; I was always in the middle. But it means I never have borders in my head.
Part of me always felt like the other, the outsider, the observer. My father had two sons with his second wife, who I didn't meet until my late 20s. I was always on the periphery. In Madrid, I was the only Turk in a very international school, so I had to start thinking about identity. All these things affected me.
I was very fortunate. I had a great group of friends in my life, and family, and so I felt a sense of safety and belonging that ... as you grow older, you realize that not everybody does feel that. And there's particular certain groups of kids who always feel like outsiders. But I was very fortunate.
On student films, everyone is pitching in to do everything, and I never felt like I was a part of a group before I started acting. I always felt like I had friends in this group and I had friends in that group, but I never felt like I had my group.
In a sense, the rumours suggesting I had quit were true: I had retired, but only from the personal-appearance end. I did that because I had always felt conspicuous onstage, and I'm not the sort of person who likes to be an exhibitionist.
I was always in new schools and had British parents, which was not the norm, and I think there was also... I'm not particularly religious, but I was born Jewish, and I always felt like the outsider because I wasn't Christian or Catholic.
One of the things that Ang brings to all of his projects is his deep sense of being a double exile, an outsider's outsider.
My mom always brought home a present once a week for all of us. We never felt like we ever needed anything. We never felt poor. So I never felt I had to go out and do something wrong to get money.
Caesar [from the Rise of the Planet of the Apes] was brought up with human beings and because of the drug he had pretty much grown up with his whole life, he felt like an outsider, he felt trapped in an ape's body but he didn't really feel like an ape and that was my way into the character. So he's always had this duality playing him from an infant all the way to now as a fifty-five year old ape.
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