A Quote by Shirley Geok-lin Lim

It's as if I'm setting aside the husband and son, you know, the patriarchal world, for the world of the muse. This is the world of writing. — © Shirley Geok-lin Lim
It's as if I'm setting aside the husband and son, you know, the patriarchal world, for the world of the muse. This is the world of writing.
From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.
In 'Twilight,' you're setting up the world. You're introducing the world, and I was also writing in a vacuum because I didn't know who the actors were going to be. Now you're going to 'New Moon' and 'Eclipse,' and I could write specifically to them in my mind. So it becomes a more comfortable world.
I think 'G.I. Joe' is a perfect example of how I'm the world's worst businessman. If I were smart, I'd be writing 'World War Z Part 12', but I have to go where the muse leads, and I've always been a huge 'G.I. Joe' fan. I always wanted to know more about these characters, these little plastic figures I played with as a kid.
I have a 22-year-old son, and when my son was born I made a decision to raise him. My husband and I took turns working, and it's easier to raise a kid in the documentary world, where you go away for two weeks or three weeks rather than the months that you spend on a feature. That was and still is much more open to women DPs than the world of fiction.
I'm not so naive that I didn't know or didn't suspect that, at some point, someone was going to say "You're writing about the occult." My wizarding world is a world of imagination. I think it is a moral world.
When I write, I put aside the heterosexual world to admit a muse that is a woman-loving-woman female.
I love you Rush Finlay. You are going to be the best husband and father the world has ever known. One day our son’s wife will be thankful that her husband will have had you for a role model. She’ll be lucky because of you. Because you will have raised our son to be the man that you are. He’ll love her completely because he’ll know how.
My family always comes first. My world revolves around my husband, Peter, our daughter, Victoria, and our son, William, but not necessarily in that order. Then, it's this fascinating world of publishing that devours most of my days and many nights.
Feminism justified female 'victim power' by convincing the world that we lived in a sexist, male-dominated, and patriarchal world.
Feminism justified female victim power by convincing the world that we lived in a sexist, male-dominated, and patriarchal world.
However patriarchal the world, at home the child knows that his mother is the source of all power. The hand that rocks the cradlerules his world. . . . The son never forgets that he owes his life to his mother, not just the creation of it but the maintenance of it, and that he owes her a debt he cannot conceivably repay, but which she may call in at any time.
When I'm writing about complicated subjects, it usually involves a world. It could be the world of Scientology or the world of Al Qaeda, or the world of counter-terrorism.I look for emblematic beasts of burden - what I call "donkeys" - who can carry the reader through this world. They serve a different purpose. Donkeys are not especially interesting or likeable, but they are serviceable. They will take you into this world. The distinction I'm trying to make is: It's not about them. It's about the world.
The global conservation organisations are doing everything they can on modest budgets. They essentially promote setting aside reserves and parks around the world.
When I am writing best, I really am lost in my world. I lose track of the outside world. I have a difficult time balancing between my real world and the artificial world.
Writing is akin to method acting. Before the writer can render a fully convincing world, he or she must inhabit that world, and every major character who lives there. I'm not suggesting that one always has to go this far. But I truly believe what makes the setting for my novels come alive is that I've lived there first.
Really, whatever I was seeking and looking into in those days like creative arts, chant, the muse being in touch with the muse for poetry and writing and music. It's all part of the spirit and if we look particularly at Hinduism and Buddhism, the tantric stream of those traditions totally embraces all aspects of human life and life on this world.
This site uses cookies to ensure you get the best experience. More info...
Got it!