A Quote by Shirley Knight
I got an agent and went up for the part of my first film, Five Gates to Hell.
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Before stand-up, I didn't even have an agent. Once I started doing stand-up - boom. I got an agent. In fact, I got three agents. I got a lawyer. Now I get taken seriously.
As I got older, I'd say probably when I got to, like, seventh or eighth grade, I was living in Atlanta, Georgia at the time, and I went for an open call for an agent, a local agent out there, a woman named Joy Purvis, and she ended up picking me up.
The reason I haven't got an agent is so that no one can contact me to offer me a film part. In case I'm tempted to do something I'll regret later.
I was lucky enough to get a very good agent at the age of 15, and got my first film when I was 16, so it's been rolling on since then.
I studied voiceover, and I studied acting and I got my first series and my first agent a week out of high school. And it took me about five years of hit-or-miss auditioning and booking on occasion before I could support myself totally as an actor.
I did Lois & Clark: The New Adventures Of Superman. It was a sequence where the president got captured and they made a doppelgänger of the president who was kind of goofy. They were Second City people who were the producers and writers, and they told my agent, "Well, we know Fred can do the kind of goofy, but we're not sure he can do be the straight president, kind of the Clinton-esque." So I really got my back up and I called my agent and I said, "Goddammit, I insist that I go in and read." And I did a great job and I got the part.
When I was starting out, I didn't know what the hell I was doing and my person who was helping me out, I didn't even have an agent, got me five or six big auditions for leads in movies in 1986 that I had no business auditioning for. I think I ran out of three of them before I'd even finished.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
You can stand me up at the gates of hell, but I won't back down.
You go into Afghanistan, you got guys who slap women around for five years because they didn't wear a veil. You know, guys like that ain't got no manhood left anyway. So it's a hell of a lot of fun to shoot them. Actually, it’s a lot of fun to fight. You know, it’s a hell of a hoot. It’s fun to shoot some people. I’ll be right up front with you — I like brawling.
For man's only weapon is courage that flinches not from the gates of Hell itself, and against such not even the legions of Hell can stand.
Of course I had a piece of luck I couldn't have imagine for myself in a million years: I got an agent. That sped up the process. I'd say it's a good idea, getting an agent.
When you make your first film, there is a hell of a lot to think about, and you've got to have a gut understanding of your material.
Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.
Math was a two-part exam and I once didn't go for the second part. I knew I'd done so badly on the first it was hopeless. I re-took it about four or five times. I think I eventually got it by getting the top GCSE grade.
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
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