A Quote by Sean Covey
That's important, apologizing, listening, you know, I think the teens I speak with, most of them don't feel understood. They feel like they're being lectured to all the time.
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The thing that I find interesting about teens now is that no matter how desperate we seem to be taxonomically 'othering' them, for one reason or another - because the Internet, because whatever - I feel like a lot of the benchmarks and the experiences are, you know, same for teens through time immemorial.
I always feel sad, to be honest, to see people badly injured. That's important because if someone's life is being changed like that it's extraordinarily important for that person - and you can't forget whether it was ten years ago, twenty or today. So I feel the same each time - I feel sad but I also feel that I should do the best I can to make it the best I can for them. So that's how I cope - by working.
Half the time, I feel like I'm 12. And the rest of the time, I feel like I'm 80. So I guess I'm somewhere in between. No, I feel great. I've got my health, and that's the most important thing.
People will feel safer around you and speak truthfully to you when they feel you are listening intently to them.
I speak about androids because I think the android represents the new 'other.' You can compare it to being a lesbian or being a gay man or being a black woman ... What I want is for people who feel oppressed or feel like the 'other' to connect with the music and to feel like, 'She represents who I am.'
I know when somebody is trying to get something out of me for clicks. And sometimes I feel like giving it to them. Sometimes I feel like being real and open to them, but at the same time, I know how much I can give you.
Every time I sit down and write I got to put something conscious in there. It's like I got a job now. They say that for those that know you got to deal in equality. If you know and you don't speak on it and don't apply it, it's like you're the worst hypocrite. I feel I got a job to do, being that I study so much and I believe in Allah like I do, I feel like I got to spread the word.
I know that it's common for creative people to feel like they're profoundly misunderstood but for the most part I don't feel like that. I think most of the time people read my work in the way I intend.
The question I ask myself like almost every day is: ‘Am I doing the most important thing I could be doing?' Unless I feel like I’m working on the most important problem that I can help with, then I’m not going to feel good about how I’m spending my time. And that’s what this company is.
The reason I speak out is because it's necessary. I feel like it's my responsibility. I feel like it's what I'm put here to do. Even on a simpler level, I feel like why can't we speak on what we feel is right or what's wrong? What's wrong with that?
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
I've been given this amazing platform as an Olympic athlete, and there are so many people out there who don't feel like their voice is being heard. I feel it's my responsibility to speak out on issues that are important.
So many things make me come alive, like when I just finish meditating and I open my eyes and it's as if everything is much clearer. I feel like everything in my body has calmed down, and I feel this sense of joy because I am in touch with what's most important in my life. I also come most alive when I am with my family and closest friends who make me feel recharged just by being with them.
The most important thing for me is the thing I strive for. But I also hope when I play my songs for people - adult, children, mostly children - that they feel mighty, they feel noble, they feel like warriors. And they feel like they can do anything in the world because that's how I feel.
I think, in a large way, it's, 'OK, you've knelt; you've made your point.' But I don't necessarily feel like that. I don't know what that looks like. Do I kneel forever? I don't know, probably not. But I think until I can feel like I'm being more effective in other ways, then this seems appropriate to me.
The people need to feel the music. That's what's so important, and that's what is missing. You have to let the audience feel you, you have to let them feel the love, feel the rock 'n' roll, feel the energy.
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