A Quote by Sean Lennon

I think when people try to use their art for political views, I think they're art becomes smaller, less interesting. And so for me, as an artist, I'm trying to speak about things in a universal way and not be pedantic or small-minded and try to convince other people of my political views. But having said that, every day I live in sort of complete terror because of what I read in the newspaper and what is going on in the world. I'm constantly, as I think many of us are, overwhelmed by the sort of, mass psychosis that's occurring.
Conservatives believe in smaller government and in the power of the electorate. So I think that we're less likely to try to use a dramatic forum to warp people's political views.
Some people feel that it's controversial if I say that because my dad is known as a political artist. But I don't really believe that he was a political artist. I think some of his songs were political, and I think they were incredible because he was able to make art that was political and that wasn't pedantic. But I think he was unique in being able to do that.
I'm very political. Because I read politics every day, so I'm familiar with the world. I approach the films is I'm trying to write what is true, so that supersedes partisan spin, in my opinion. I find partisanship is a thing for cable news and newspaper articles, but it's not interesting for art. I think we all believe what we believe, and I don't think a film is going to change someone's mind.
I don't really believe in political art. I feel in my heart the purpose of art transcends cultural and class and politics. I think something like the Sistine Chapel is something that goes beyond just being a Christian thing. It transcends its Christianity and becomes sort of a universal beauty. And I think that's true of music and art and literature.
There are people with an explicit political bent complaining about people having political agendas while nominating stories with political agendas. Is it political to try to be diverse? Is it political to try to imagine a non-heteronormative society? Yes, because it involves politics. But how do they expect us to not write about our lives?
I don't want to be hubristic about art's possibilities. I don't think that art has a causal relationship to revolution. I do think it's a way people coordinate or orient their own often-inchoate experiences, sometimes willfully. With "The Masque of Anarchy," one of the things I note is that many political movements over time have made use of it as a way to orient themselves and to narrate what they were doing.
My art gets called political, as opposed to my intending it to be political. I think that's something that happens with black artists or marginalized voices trying to speak truth. Because there are things in the status quo to speak out against, speaking out against them will inherently be political.
My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don’t think art is elite or mysterious. I don’t think anybody can separate art from politics. The intention to separate art from politics is itself a very political intention.
Well, I've been blessed with good hair, or at least some people think it is. It is the way it is, sort of does what it wants to. So, yeah, I guess it is [a metaphor for your views on art and life].
I think The New Yorker's cartoons aren't very political because the people who do the cartoons aren't awfully political people, and they aren't paid to be political. I think editorial cartoonists are. That's what they do. They probably have a great natural interest in politics, and then they are paid to do it, so they sort of have to hunt out these ideas. I admire editorial cartoons, but I'm also sort of happy that I don't do them because I'd hate to have to label things and I'd especially hate, more than anything, to label something Dennis Hastert or Mark Foley.
I think we - "we," meaning the media - have generally caused Americans to consume news in smaller, less contextualized bites. I think we have sugar-coated the news. I think we have provided news that is consumable, at the expense of news that is more important. I think we have created a world in which extreme views push out moderate views.
Let me see: art and activism. I can always fall back on, "the question should be, what isn't political? Everything you do is political, even if it's abstract. You're making a political statement even if it's unwittingly." I think so much of art is unconscious anyway, the artist doesn't know the real reason they're doing it. They're just kind of going along with it intuitively.
I think it's so important that you understand what you're trying to accomplish, what you're trying to say. Timelessness is never a thing I think about. If you try to make things timeless, you can end up with things that are neither exciting nor timeless. It's sort of like aiming for the middle in a way. At the same time, I never want to have to use the word trendy because it's not really what interests me. That's something that is gone tomorrow.
I think that laughter is very close to terror and horror. Maybe that's just me, but that sort of all - over rush that happens when you are either laughing or terrified or weeping...? I think that comedians, in and of themselves, make other people laugh because they aren't necessarily the happiest people in the world. So they know a lot about dark things.
I think there is a debate in the arts about, you know, whether we must strive for art for art's sake, and you know, kind of try to keep political debate out of our work. And to that I say, I'd like you to show me an example of, you know, this so-called apolitical art. I don't think there's any such thing.
I don't think that you want to see universities in any way trying to have any kind of quota system about political views, or views in general. You want the market to work in the way the market works.
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