A Quote by Sean McVay
I think, in terms of looking at the trajectory and being around some of the same people, it's certainly flattering words, but I definitely have not done enough to be mentioned in the same sentence as Coach Payton.
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I think he's accomplished so much, I don't think it's fair to put me in the same category as Coach Payton. I think, hopefully, if you achieve even close to what he has in this league, then maybe you start to get mentioned.
Most people write the same sentence over and over again. The same number of words-say, 8-10, or 10-12. The same sentence structure. Try to become stretchy-if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you're generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.
It's an honor to be even mentioned in the same breath as Walter Payton.
Hassan and I fed from the same breasts. We took our first steps on the same lawn in the same yard. And, under the same roof, we spoke our first words. Mine was Baba. His was Amir. My name. Looking back on it now, I think the foundation for what happened in the winter of 1975 —and all that followed— was already laid in those first words.
The charge of being ambiguous and indefinite may be brought against every human composition, and necessarily arises from the imperfection of language. Perhaps no two men will express the same sentiment in the same manner and by the same words; neither do they connect precisely the same ideas with the same words.
I would love to be looked at some day - and I'm not ever saying I'm at this level - but I'd love to be mentioned in the same breath as a Bowie or an Eno. Those are the people that I admire artistically, their career trajectory, the integrity throughout their career, the bravery of their career.
I've always wanted to be mentioned in the same sentence or at the same time that you say Quincy Jones or you say Stevie Wonder. I never thought that could possibly ever happen.
There are the people who read my horror novels - the first two of them - and they found them scary or whatever, and then there are some people who are maybe not entirely stable who think that they're real, who think that they're being stalked by the same demons or ghosts that are mentioned in the books.
I think in terms of a career trajectory, it's good for people to be reminded that, in spite of seeing me a million times a day on a show for ten years playing the same character, I'm an actor, and actors like to play different people.
I'm the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian's from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it's worked like a goddamn charm. Next up, I'm going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
I don't deserve to be mentioned in the same sentence with Charles Chaplin.
Everyone is using the same programs, everyone is looking at the same opening ideas. I wouldn't say everyone is necessarily the same in terms of talent or ability, but when you're able to prepare games that go so deep that you don't have to think, really, it balances out the field.
My music is more like ghetto gospel; there's a message in my words, so people listen. Sometimes you might here different things; it depends on how you feel. You might feel down, and I might be the cat in the same sentence saying, "You need to get up and do your thing." And then I could be the same cat, when you at the top of your game, telling you, "It feel good, don't it?" but with the same words.
If I hear an interesting turn of phrase on TV, I'll repeat it back - I just like to roll it around on my tongue. The same goes for dialog: I'll either speak it aloud or whisper it. I definitely sit in front of my computer and mutter. People have mentioned it.
All too often we think of community in terms of being with folks like ourselves: the same class, same race, same ethnicity, same social standing and the like..I think we need to be wary: we need to work against the danger of evoking something that we don’t challenge ourselves to actually practice.
[Jack] Kerouac looking at the fellaheen worlds. Looking at other cultures. Welcoming it, curious. Really stepping outside his own limited, whatever that narrow world was. It's amazing to think we can do it. We can have that same kind of trajectory of mind.
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