A Quote by Shaun White

If you do a trick and it doesn't work out, that can stick with you. I like to go back, nail the trick, and, 'OK, I'm cool, it's all good.' — © Shaun White
If you do a trick and it doesn't work out, that can stick with you. I like to go back, nail the trick, and, 'OK, I'm cool, it's all good.'
I just keep working out. You can't stop. Everyone thinks there's a trick, but there's no trick! The trick is, you have to be consistent.
Sometimes I'll even have a dream of the trick I want to do, and I'll land it perfectly. And then I know. I'm like, 'OK, I'm ready. I want to do this trick.' But it takes so much courage.
You can go to India and you can see gurus go into samadhi. But when they come out of samadhi, they're nasty. They're egocentric. They don't have a deep regard or understanding of what life is. It's just a little trick they can do, a one-trick pony.
Somebody said that writers are like otters... Otters, if they do a trick and you give them a fish, the next time they'll do a better trick or a different trick because they'd already done that one. And writers tend to be otters. Most of us get pretty bored doing the same trick. We've done it, so let's do something different.
What magical trick makes us intelligent? The trick is that there is no trick. The power of intelligence stems from our vast diversity, not from any single, perfect principle.
When you think about it, there's no way to input things into a computer. It's all... the holes only go out, right? Like you can plug a keyboard or a mouse in but that's a trick because the computer thinks the inputs are outputs. That's a programmer trick, basically magic. The key to the future is to make holes that go in too.
My trick is the trick that everyone knows: Work really hard and prepare.
I think, at some point, all of us - I'm gonna speak personally, not for everybody else - you're gonna feel like a one-trick pony, and you might even be a one-trick pony. But at some point, if it's a really good trick, everybody's still gonna appreciate it.
There's no truth in acting, it's all a trick, because you go on stage in front of sets, you're on film - it's all a trick. I'm making it sound very - I really am demystifying it, but what I try to do, what I do, and I hope effectively, is to create a reality as if it is happening now, that you're fishing for words out of the air.
OK, so we all know that 'Borat' is humiliatingly, career-endingly unfunny (one trick too many for one-trick pony Sacha Double-Barelled) - but can anyone explain why the 'character' isn't roundly condemned for being as unacceptably racist as the one-dimensional stereotypes from 70s sitcoms such as 'Mind Your Language?'
My experience in work, even going to work with Scorsese, is that people always think there's some magic trick. There's no magic trick. The people who are really good at what they do do simple things really, really well.
An actress friend of mine shared a great trick. She told me to stick my tongue behind my teeth when I smile to keep from over-smiling. If you smile without doing it, sometimes your gums show a little too much. It's an actor's trick!
The trick to having good ideas is not to sit around in glorious isolation and try to think big thoughts. The trick is to get more parts on the table.
People think that jumping or do trick shot is gifted. Yes, it's gifted but is a lot of work. I won't say I work on the trick shot, but it's like I think physically I'm one of the best.
When you're writing something new, writing something that's your own, basically you have nothing else to do except either invent a trick, use someone else's trick, or have no trick and get a bad performance.
To me, it's like, what's good for me is good for Cheap Trick... and what's good for Rick is good for Cheap Trick, and so on... and that's the thing.
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